George Tinworth, the first Doulton artist, is perhaps the best place to start this short exposé on Doulton’s Church art wares.
A selection of alter vases produced at Doulton Lambeth, sold by Lion & Unicorn auctions.
An ex student of the Lambeth School of Art, Tinworth worked at Doulton’s Lambeth factory from 1867 to his death in 1913. Most of his work was sculptural and can still be be seen today in parks and churches around the world.
Tinworth in his studio at Lambeth working on a Good Shepherd statue.
In the 19c respectability was especially prized, and Tinworth’s religious work brought great acclaim to the Lambeth factory. Whist it is perhaps his amusing mice and other animal sculptures that are most prized today, this change is a true reflection of changing attitudes in modern times.
Plaque by Tinworth from a New York church
Returning to Tinworth his work can be found today in churches and cathedrals up and down the UK. Above you can see his magnificent reredos located in York Minster.
A contemporary image of the York Minster reredos.
Not forgetting the marvellous Doulton flambé alter piece that resides in Coventry cathedral, after its post WWII reconstruction.
A further Tinworth reredos, this time located in Copenhagen.
From the 19c into the 20c Doulton was represented at all the major exhibitions and has been detailed in the great tomes on the Royal Doulton Potteries by Eyles and Irvine, the company itself won many of the major prizes at these exhibitions. The first exhibition Doulton took part in were in 1851, the year of the great Crystal Palace exhibition.
One of 9 awards given to Doulton at the Paris Exhibition of 1878.
The awards mentioned are but a selection from the hundreds the company won over the centuries. The first offerings presented were of utilitarian nature such as drain pipes and sanitary wares as one would expect.
At the South Kensington Exhibition of 1871 Doulton showed their first selection of set pottery, Sir Henry having been persuaded to branch out into art pottery.
A mere five years after this, Doulton presented over 1500 items at the American Centennial Exhibition in Philadelphia. At the Chicago exhibition of 1893, Doulton won more prizes than any other pottery in the world. The success in Chicago brought the award tally then to 94 Gold medals and 1st class awards, plus 101silver medals and second class awards.
The Peggy Davies study that won the Grand Prix at Brussels in 1958.
The last of the major world exhibitions took place in Brussels in 1958 and befittingly, Doulton won the only Grand Prix awarded to a British pottery firm for the Peggy Davies study ‘Art and Technology’. Manufactures were subsequently not included in world exhibitions.
Here is a selection of Doulton’s awards…..
Philadelphia 1876
Cork 1883
Wirral 1874
Paris 1889
Lyon 1872
London 1839
London 1904
Trieste 1891
London 1851
Caen 1867
Cornwall 1876
Folkestone 1921
York 1879
Brussels 1910
St Louis 1904
Melbourne 1880
Chile 1875
Versailles 1873
London 1862
Hamburg 1863
Paris 1878
London 1865
Vienna 1873
Cape Town 1877
Far worth 1876
Tasmania 1891
Chelsea 1905
Birmingham 1872
Columbia 1892
That is not to mention the individual awards won by the company’s artists for their work for the great firm.
When you visit major cities around the world the chances are that you will come across something Doulton. There are lists published by collectors of all the many places around the world you can visit to see architectural Doulton. Living in London, I am lucky that there are many places to visit on the door step so to speak; from the façade of the great department store Harrods, to the interior tiles of its food halls, to the clock above the main entrance to Selfridges, to the remaining Doulton factory building in Vauxhall that I pass on the train going into Waterloo.
Harrods, London.
These are just the tip of the iceberg as Doulton’s of Lambeth had its own architectural department which flourished in the early 20th Century. Alas many places have inevitably disappeared but there are still plenty to visit.
Even when Doulton was known as Doulton & Watts at the beginning of the 19th Century, advertising items were already being produced in the form of containers with either impressed names of manufacturer, the items they contained or else simply bearing a paper label advertising their contents. These early containers held everything from caviar to ginger beer to ink, and a wide variety of things in between. In the early 20th Century the names of the companies or contents therein would often be simply impressed on the base of the item or else incorporated artistically into the design of the piece. It is recorded that over 100 firms used Doultonstoneware to advertise their whiskey, beer and mineral waters.
A group of advertising figures from the 20s and 30s.
Some firms such as Dewars favoured Doulton vessels for such a long period that you can find examples of stoneware and also items produced at Doulton’s factory in Burslem, the heart of the Potteries. Doulton’s famous Kingsware was a perennial favourite of Dewars and Doulton created many individual flasks for them, which today are highly collectable.
The advertising wares produced by Doulton in Burslem have an equally interesting history and perhaps chart the last chapters in the production of advertising wares as the fashions for such items evolved further. The Edwardian style biscuit casket for Huntley & Palmer from 1905 looks incongruous next to items produced in the 1930’s and 1940’s that have much simpler lines and decoration reflective of this period.
All industries had items produced by Doulton to advertise themselves from ash trays, to jugs, to match strikers, to wall plaques and a whole host of other advertising items. Perhaps one of the most fiercely fought after fields in advertising wares today are those that Doulton produced for themselves! Once again jugs, vases, ash trays and the like can be tracked down featuring the Doulton emblem as its principal feature.
A selection of Doulton on Doulton advertising wares.
The advertising figures produced by Doulton have long captured collectors’ imaginations and famous groups such as the Yardley’s figure is a straight adaptation of the same image featured in their advertising. Other more unusual figures include the Grossmiths’ perfume girl ‘Tsang Ihang’ and ‘Steve’ produced for the road builders Wettern, Beadle & Bristow in the UK in 1923.
Of the handful of china boxes produced by Doulton in the first decades of the 20c, few can be said to be as rare as this example. Featuring a wizard as the box’s finial and with sterling silver mounts, it is the epitome of frivolity from the deco period.
The box can be traced through the model book and is model 217 and it caries an impressed date of 1918. This model, like a handful from the early HN range was produced on a Titanian body, to enhance the colour of its eventual decoration.
The auction will take place at 2pm on Wednesday 10thSeptember at Adam Partridge’s Macclesfield saleroom, here is a link to the website