Starting to think ahead, here’s the perfect gift for Doulton lovers – a subscription to our magazine! If you haven’t yet subscribed to the Doulton Collectors Club magazine, here’s a glimpse inside Issue 3.
Issue 4 is about to go out around the world, so watch this space for a glimpse of the cover and to see what is in the next issue!
To subscribe simply visit: http://www.paulwebsterantiques.co.uk
and register there by clicking on the Club tab. Alternatively you may subscribe via Seaway China!
One of our collectors recently asked about the jardinière pictured. It bears a simple, impressed ‘Doulton’ mark that often throws collectors but this method of impressing the Doulton name can be found still in use into the 20th Century too, although later examples are accompanied by the usual lion and crown Doulton mark.
Returning to the pattern of the jardinière, I term it a transitional pattern from the period when Doulton entered into partnership with the Pinder Bourne factory owner in 1877 and the time when Doulton eventually took over the Nile St. enterprise entirely in 1884. In the aesthetic taste, it is certainly of this period and I have seen plates marked Pinder Bourne but also further examples simply bearing the Doulton brand. Here is a tureen marked thus.
We would love to hear from other collectors who have examples of this design to compare backstamps. Don’t forget that if you’re interested in Doulton join our facebook page and also visit http://www.paulwebsterantiques.co.uk where you can also subscribe to the brand new Doulton Collectors Club magazine! Isse 1 is out now!
Built in the 1870’s in the gothic style ‘A’ and ‘B’ blocks as they were known and the huge chimeney that stood next to them were a London landmark for 75 years and witnessed many of Doulton’s major accomplishments as well as playing host to many famous visitors from Royalty, to politicians, to latter day celebrities.
A floodlit view of blocks A and B from 1935 celebrating a Royal jubilee.
Doulton vacated these impressive buildings in early 1940, moving to the newly erected Doulton House, then just a few hundred yards along the Albert Embankment. Lying unoccupied and suffering bomb damage during WWII there was little option left than to demolish these impressive buildings in 1951.
A close up of the showroom and main offices block.
On the left is the former main office and showroom building, on the right a factory block and chimeney.
A drawing of the Albert Embankment by Arthur Pearce showing the extent of the Doulton works in 1924. Note the corner building that still stands today.
Keep spreading the Doulton word! And keep watching this space!
I’ve just had some extra pictures of the current exhibition at the WMODA housed at the Gallery of Amazing Things that I thought would interest us all!
The sheer breadth of exhibits is to be marvelled but for me it is the massive array of Doulton wares that interests me most!
Here are a few pictures of the figures currently on display as part of the Flair for Fashion exhibition! Enjoy!!
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Impasto ware is often confused with faience simply because the body it uses is often the same. Later pieces seem to actually use a faience body as you can clearly see with this marking.
The similarity to faience differs with the decoration of Impasto ware. The coloured slips with the latter were applied so thickly that the images, mainly of flowers, appear almost in relief.
Impasto was produced between 1888 and ca.1914. The great Kate Rogers seems to have been particularly associated with this ware and the large vase above is by her and dated 1888.