Of the many collecting themes based around colour that are so popular with collectors today, there is a particularly beautiful theme that is not quite as obvious. This being the group of figures with floral decoration to their dresses, cloaks and skirts. Only when looking at our own collections do we often realise that we have several examples in this style in our own collections – perhaps you have others we can add to this picture? I’m sure you’ll agree they make a stunning group! My personal favourites are those on Leslie Harradine’s figures.
Collecting ‘themes’ is something we look at sporadically but often it is only on reflection that we – or should I say I – realise that we already have a sub-theme already in our collections. This was certainly the case with these Doulton ladies in riding costume!
I have to admit that I don’t have them displayed as a group, but that is simply because they have been gathered over time and they’ve ‘slotted’ in as and where I can! However, I did find that I had one of my favourites, the Hunts Lady, standing ironically next to a fox!
Perhaps I’ll find somewhere to have them as a group now, next time I move things around!
When I first saw these cups due to be auctioned this weekend, I was reminded once again of the diversity of Doulton, but also the diversity of collectors too! Here once again is a novel collecting theme!
The Christening cup is a typical Christening gift for a baby and whilst more well-to-do families may have chosen silver examples, these personalised stoneware cups were no doubt more modestly priced in comparison. These mini works of art have obviously been cherished over the decades and remain as evidence of their original owners. How wonderful would it be to trace the original owners?
Many thanks to the Potteries Auctions for use of these photos from their sale on Sunday 26th October.
Since the earliest times of Doulton’s art studios in Burslem, we have seen a procession of objects reflecting our continued fascination with alchemy.
Be it the search for the fabled philosopher’s stone, the elixir of life or the ability to turn base metals into gold – the slightest possibility that these may be possible has kept us gripped, as we can trace from literature’s fascination with it too from Shakespeare’s plays right up to J. K. Rowling’s Harry Potter books.
After the roaring twenties, the 1930’s developed into a decade of glamour where long, sleek lines and Hollywood glamour took over. Whilst Doulton continued to produced the Victorian style ladies, characters and child studies so favoured by collectors, there were a distinct group of glamour girls which were introduced as a nod to this change in style.
Two of the first introduced, also happen to be two favourites of mine – Clothilde and Gloria, who appear to have stepped straight out if the pages of a glossy fashion magazine.
Hats have always been a popular theme for collectors, so it is no surprise to see Windflower here with her contemporary brimmed hat.
Another hat girl is Nadine, who could be promenading along a boardwalk in the evening sun, lapping up attention from her would-be admirers.
Still other ladies seem to represent popular sports such as the stylish Maureen with her riding crop.
Another favourite figure of mine is this, The Mirror, with her chic dressing gown, admiring her reflection in her mirror. She is such a delicate figure it is not hard to see why so few have survived.
A final figure that I’d like to share is the stunning Lambeth Walk, shown dancing to the famous tune of the same name. Her clothes are the epitome of 1930’s chic and this colourway of her is so detailed.
From what I have discovered there appears to be two types of Shakespeare ware. The later pieces with scenes from the famous playwright and poets works, produced to commemorate the 350th anniversary of his birth in 1564. Then there is also this series pictured.
This tyg is decorated with a relief portrait of Shakespeare and then his house in Stratford and Ann Hathaway, his wife’s cottage. The tyg dates to 1905 and carries a date letter, as well as a registration number for this period.
A nice commemorative for literature fans!
Back in the early 1880’s John Slater, the first Doulton art director at Burslem was searching for an English china body for Doulton wares. The issue was exasperated by a substantial order from the US for a service provided it was on a china rather than earthenware body. During Slater’s search for a china body, he spent time in France where he met the celebrated ceramic painter of birds, Georges Léonce. This meeting led to a wager between the two as to whether Léonce could produce the same colours on an English china body. The result was Slater’s payment of £50 to Léonce, yet there was a complaint; namely that the plates were not signed. Léonce responded that the signature “was all over. There is no man who can paint birds like Léonce.”
This plate is a combination of Slater’s photographic transfer technique and hand painting on an earthenware body dated 1883, shortly after the originals were painted. The existing parts of the Léonce service are now in the Powerhouse Museum in Sydney.