Category Archives: Pretty Lady

The former Doulton Museum at Nile Street

Just a few pictures from the old figure museum on one of the last times I visited ca.2002.
Thank goodness I had the chance to visit many times as sadly it was sold off many years ago now.
Whilst the museum was built up in relatively recent times, the figures in it formed the basis of the original Doulton Figures Book in 1978. They were sought from all corners of the globe by Richard Dennis and his then assistant Jocelyn Lukins before she left to set up on her own.

Anyway, enough chat…here are a handful of pictures! Enjoy…..

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Speaking of colourways of Doulton figures….here are a few more examples to enjoy!

Just a few more colourways, prototypes and rare figures to share with you all! Thanks once again to Seaway China for the use of their pictures too!

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An unusual Guy Fawkes

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A very different Orange Vendor

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The rare HN1563 version of Sweet and Twenty

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Abdullah in red

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A nice version of Repose in yellow

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Mam’selle in a typical 1920’s colouring

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A nice Deirdre dated 1947 that I once had

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Polly Peachum in grey

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A charming Ballerina prototype from the 1960’s

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An elaborately painted Young Love

 

And that’s all for colourways and prototypes for today!! Enjoy and keep hunting!

C

A short video to advertise my book Reflection – Royal Doulton figures as a reflection of their times

Follow this link for a sample of pages and a brief explanation of the book!

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Part 2 of my celebration of 100 Years of Doulton’s HN Collection for Seaway China

Here is another link, this time to part 2 of my account of the first 100 years of Doulton’s HN collection of figures, published naturally by Seaway China.

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http://seawaychina.net/pdfs/catalog/summer2013/2013-Summer-Catalog-cover-and-features.pdf

How to recognise a prototype…

One of the most heart stopping moments for any collector is the moment they hope that they have spotted a prototype figure. The hunt for prototypes is, however, a real mine field as there are always unscrupulous people out there wanting to cash in on our desire for that one special piece for our collections. That is why my advice is always to buy from a reputable dealer with a proven track record for discovering and supplying the unusual!

I have recently been asked for advice from Karyn and Gordon Harvey on the figure below from their collection, purchased recently and something they hope is a prototype. Here are the pictures they sent in.

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My initial thoughts were that it was clearly a Peggy Davies figure; note the style of the head and the hair and also the detailed modelling. At this time I think she really was trying to imitate Harradine, before developing her own individual style. The head and hair are very reminicent to her figures The Leisure Hour and also Promenade.  One give away to any unknown figure is always the face – I once heard that only after 10 years in the figure department would a painter be allowed to paint faces! Here we can see a very typical Doulton face of the 1950’s. Then we look at the base, and whilst there is a Doulton stamp – this cannot be taken in isolation to say for definite that it is a Doulton figure. However, here you can clearly see an impressed model number. Alas the shape books and design books are no longer available for us to consult, but through my own research I have put together a numbering sequence which leads me to believe that the model dates from the early 1950’s, and specificially to ca. 1953 and I am confident in saying that it is a Doulton piece.

Many prototypes from this time appear to be the work of Peggy Davies, a time when Doulton themselves were trying to rationalise production but also manage the cost effective production of their famous figures. No doubt this particular piece was deemed too expensive to reproduce due to the detailed modelling.

Earlier prototypes and colourways often carry the artist who painted them’s initials. In my experience there are two names which crop up time and again here, and they are RB for Reginald Brown and HA for Harry Allen. This practice seems to have stopped in the 1950’s however when the painter’s initials began to be omitted.

In recent times I have noticed a whole hoard of so-called colourways and prototypes coming on to the market – and all I can do is re-iterate my belief that it is always best to buy from a reputable dealer as we would all hate to loose out on a fake!

My thanks to Karyn and Gordon Harvey for their pictures.