The sheer variety of early figures in Royal Doulton’s HN collection illustrates the lengths that were gone to, to appeal to early collectors as the company tried to discover a popular house style.
Title page of an early figure catalogue.
Of course by the time the Masquerade pair appeared in 1924, the great Leslie Harradine had already been supplying models to the Burslem art studios for a few years.
A burnished gold HN636 Masquerade.
During the early 20thC there was huge interest in masked and costume balls and the latter must have inspired this pairing and other Chelsea inspired figures from a bygone age in English china manufacturing.
Masquerade (female) HN 600.
‘Kissing’ Masqueraders HN 600 in china and HN 683 in earthenware.
Interestingly the two Doulton models’ bases fit so that the couple can kiss if the owner so wishes. They appear in this 1920’s figure catalogue titled Personalities and Porcelain along with a group of other early figures. Also of interest to note is that HN683 and HN 637 the last versions of each were actually made in earthenware rather than china like the other versions.
Masquerade HN 599 & 636.
Typical of Doulton’s studios they also experimented with this pair and a handful of other figures, producing examples in burnished gold with ivory face and hand details, imitating gold/bronze and Ivory figurative sculptures from the art nouveau era.
If the 1920’s were typified by ‘Putting on the ritz’ then the 1930’s were about sleek lines and glamour.
Typically, Doulton once again responded to the fashion of the times with a handful of designs inspired straight out of early 1930’s fashion magazines. Indeed we know that Mrs Harradine was a fan of a magazine called Britannia & Eve, as her husband based his figure Pamela on a cover girl from 1930.
Even the names chosen for this select band of ladies represent their time, with stylish names such as Clothilde, Aileen and Gloria.
Once again Doulton figures can be truly said to have represented their times, just as they had in the 1920’s with perennial favourites such as Pierette and Butterfly in their party costumes and as they would at the end of the 1930’s with Hollywood inspired glamour including The Mirror and Nadine.
The inspiration behind many of Doulton’s earliest figures comes from contemporary paintings and such is the case with Harradine’s Helen introduced in 1932.
Helen HN 1508 with the Webster picture that inspired her.
It was not unusual for complicated figures to be re-modelled after problems arise in their manufacture or because they are too complicated to produced or simply because of market response (Consider Sweet Maid who became Millicent with a fuller skirt).
Helen HN 1572 (1933) and June HN 1947 (1940).
Thus Helen became the popular figure June HN 1690 (1935) with an altered skirt and now holding a bouquet of flowers, which was again re-issued after WWII in slightly more muted tones and simplified flowers and detail to the modelling.
The original three: HN 1690, 1691 and 1947.
The withdrawal dates for the figure Helen say ‘by 1938’ but we can presume that the production was actually much shorter based on the fact that June was introduced in 1935 and I certainly haven’t seen any ‘Helens’ dated after 1934 – but perhaps you have? If so, why not share her with us on our facebook page ‘Doulton Collectors Club’!
Who doesn’t love matching colourways? We’ve looks at matching reds, pinks, blues, greens and even oranges, but here are three other early figures you’ll be dotty about!
Sibell HN 1735.
After writing the Kate Hardcastle piece on Monday I recalled these spotted beauties and lamented how I’d never managed to find all three at the same time!
Kate Hardcastle HN 1734.
Just as other groups, their HN numbers are in the same number range, but this time they are chronological if you take a second look!
With such vivid colours and an unmistakable design this group may not be to everyone’s taste but they are super rare!
Eugene HN1521, Fleurette HN1587 and Lisette HN1524.
Whatever you particular interest in Doulton figures you soon realise that themes do occur within collections, such as those ladies with feet popping out under the hems of skirts or those carrying parasols.
Another theme are the bevy of beauties teasing their admirers with their colourful fans.
Miranda HN1818 and Mariquita HN1837.
With a history stretching back over 3000 years, it is the fans of the 18th and 19th centuries that typically appear on Doulton ladies. First seen here when merchants from Asia returned with them, those appearing on Doulton ladies are the folding type – again a relatively modern adaptation of the traditional fixed type.
Perhaps you collect figures according to a different theme? If so why not share them on our facebook page – Doulton Collectors Club!
I’ve just had some extra pictures of the current exhibition at the WMODA housed at the Gallery of Amazing Things that I thought would interest us all!
The sheer breadth of exhibits is to be marvelled but for me it is the massive array of Doulton wares that interests me most!
Here are a few pictures of the figures currently on display as part of the Flair for Fashion exhibition! Enjoy!!
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Collecting ‘themes’ is something we look at sporadically but often it is only on reflection that we – or should I say I – realise that we already have a sub-theme already in our collections. This was certainly the case with these Doulton ladies in riding costume!
I have to admit that I don’t have them displayed as a group, but that is simply because they have been gathered over time and they’ve ‘slotted’ in as and where I can! However, I did find that I had one of my favourites, the Hunts Lady, standing ironically next to a fox!
Perhaps I’ll find somewhere to have them as a group now, next time I move things around!