Category Archives: Artists

Royal Doulton’s Helen, her origins and her successor! 

The inspiration behind many of Doulton’s earliest figures comes from contemporary paintings and such is the case with Harradine’s Helen introduced in 1932.

  
Helen HN 1508 with the Webster picture that inspired her.

It was not unusual for complicated figures to be re-modelled after problems arise in their manufacture or because they are too complicated to produced or simply because of market response (Consider Sweet Maid who became Millicent with a fuller skirt). 

  
Helen HN 1572 (1933) and June HN 1947 (1940).

Thus Helen became the popular figure June HN 1690 (1935) with an altered skirt and now holding a bouquet of flowers, which was again re-issued after WWII in slightly more muted tones and simplified flowers and detail to the modelling.

  

The original three: HN 1690, 1691 and 1947.

The withdrawal dates for the figure Helen say ‘by 1938’ but we can presume that the production was actually much shorter based on the fact that June was introduced in 1935 and I certainly haven’t seen any ‘Helens’ dated after 1934 – but perhaps you have? If so, why not share her with us on our facebook page ‘Doulton Collectors Club’! 

  

Collecting H. M. Bateman’s illustrations on Doulton seriesware! 

Henry Mayo Bateman was an Australian illustrator, most famous for his cartoons captioned ‘the man who….’. 

 These illustrations featured a haphazard man who continually ‘puts his foot in it’ as we say here in the UK, meaning that he commits the most awkward gaffes! 

  His cartoons were featured in leading magazines of the period including The Tatler and Sketch. 

  Returning to his seriesware illustrations they are termed as rare among collectors who appreciate the humour of his scenes and when they do turn up even on small items they regularly reach three figure sums! His designs on Doultonware feature a facsimile signature and from experience date to 1937-8.

Doulton Artist Profile – Katherine B. Smallfield. 

   
 Katherine B. Smallfield is a typical Doulton artist in that her career literally blossomed during her time at Doulton. She was one of a large number of women artists engaged by Henry Doulton, an uncommon industrial trend for the time. She began her time at Doulton c.1881 and in 1882 was already listed as a senior assistant before being promoted to artist, still in the faience department. 

   

 Museums around the world hold examples of her fine work with floral subjects being a particular forté. She continued working at Doulton until 1912 and examples of art nouveau designs, such as the vase below, confirm her adaptability as an artist. 

  

Royal Doulton – all that glitters…

….may not be solid gold, but nevertheless it is gold that is used to decorate many of Doulton’s most extravagant Burslem wares produced during the last two centuries!

  
Whether it be wares including Doulton’s famous Spanishware with its gold tracery or the prestigious acid gold etching that is found on quality exhibition items and tea wares (both of which can be seen in the illustration), or else burnished gold to decorate their famous figures, Doulton has always produced something gold to suit every collector. 

Many of the elaborate gilt design of the 20th Century were designed by Robert Allen, who ran an art department at Burslem and who worked closely with Doulton’s art director CJ Noke on many of their famous lines. Allen’s designs were brought to life by a small band of expert gilders such as Thomas Morton or the Williams Massey and Skinner.

The sheer variety of Doulton’s gilded wares really does mean that there is something for every collector and let us not forget that whilst gilding is not typically associated with their Lambeth wares, it was used on chiné and the gold whorl patterns for decades and can be found on some artist pieces most notable in my experience on the work of Francis C. Pope. 

Doulton’s translucent china Character Jugs. 


The Apothecary of Williamsburg in earthenware and translucent china.

In 1968 a new ceramic translucent china body began to be used for Character jugs, something that continued until 1973 when there was a return to the traditional earthenware body. The new ceramic body necessitated some existing jugs to be re-modelled to ensure that the level of detail remained. Earthenware is decorated underglaze thus more depth is achieved upon the much finer-detailed, cast piece, whereas the detail is somewhat subdued once the glaze is applied for on-glaze painting. In general the new body produced jugs that were 1″ smaller overall with 19% shrinkage as opposed to just 12.6% with earthenware. Collectors search out these now rare editions of their favourite jugs as the overall effect creates a higher quality product in their eyes.

Collecting Doulton’s mid-size character jugs.

When what we know as Character jugs today, were launched back in 1934 it was very much a time of trial and error in respect of what to introduce and the sizes that appealed most to collectors. What we know as Large jugs today were the first introductions, then with Sairey Gamp in 1935 we saw a small size jug introduced as well as the standard large size. In this same vein Doulton introduced a medium size jug in 1938 with six characters from Dickens’ works. These were all withdrawn by 1948. 

The six characters were:

Buzz Fuzz D5838

Mr Pickwick D5839

Fat Boy D5840

Sam Weller D5841

Cap’n Cuttle D5842

Mr Micawber D5843

To complicate matters these numbers also refer to the small sizes of each of these jugs too and when available as a table lighter, again the same D number applies. 

To illustrate the sizes of jugs here are a handful of Dickens’ characters forever immortalised by Doulton! 

  
l-r: large, mid-size, small, mini and tiny.

Collecting Doulton rabbits and hares.

  
Mary Bunnykins (1939) who bears a striking resemblance the the earlier lop earred rabbit below. 

There are stories of a school age Charles Noke borrowing clay from the Worcester factory, a favourite visiting place for his father, to model animals and it was Noke who started the HN animal collection at Burslem. 

  
Lop earred rabbit and hare in a black glaze. 

There are many hare and rabbit models to collect, with many of them also found in flambé. These early models generally ceased production in all colourways -natural, flambé or other – by the mid 20th Century but a handful including the small lop earred rabbit continued to the end of the 20th Century so if collecting it is essential to read up on production dates to gauge the prices you should be paying. 

  
Very unusual rabbit and young. A larger version was made of this model as often happened at Lambeth, intended to be a garden ornament. 

The rabbit and the hare have a strong history in myth and folklore, stemming back through their apparent 4000 year history – explaining mankind’s on-going love of these furry animals. Today the rabbit in particular is still a popular domestic pet. 

  
Two further versions of the Hare HN 126 & HN 273.

The Chinese believe the hare or rabbit is ‘the man in the moon’ whilst Taoist beliefs say that these lovable animals derive their essence from the moon! Perhaps it is their nocturnal habits that have led to these beliefs! 

Doulton animals offer collectors -old and new – a great scope for building a collection for the HN animal collection continued into the post war period up until the 1980’s with new introductions throughout those years and in the 1990’s there was a new range -the DA range of animals introduced. Even today Doulton produce the occasional animal. 

Doulton figure painter T. J. Parton.

I would like to have called this piece one of our artist profile blogs but details on this particular artist remain sketchy. It was thought that he joined the small team of figure painters at Doulton in or around 1930, but the discovery of the plate below dates his arrival at Nile St to 1928 or earlier.


Handpainted plate by T. Parton dated 5.28.

The artists monogram ‘TJP’ can be found on figures from 1930 through to 1940 but I am sure there are later examples out there. In 1927 there were 10 figure painters recorded at Nile St and Tom, I feel,  must have been one of these early artists. We must remember that even by 1939 there were apparently only 27 painters in the figure department! I recently found a long service record from 1973, which lists Tom with 46 years service as an on-glaze figure painter meaning that he joined in 1927 and was among the easiest figure team of 10! Interestingly there is also a Norman Parton with 42 years service, perhaps a younger brother of Tom’s?


TJP figures Joan (1930) and Toinette (1940). 

It is quite typical to find figure painters showing great versatility and examples of vases and such heavily gilded plates have been found by other early figure painters including Reg Brown and John Pierpoint.

Collecting Doulton exclusives for W.T.Lamb.

The Distillers W. T. Lamb & sons like many other firms commissioned exclusive designs from Doulton to supply as commemoratives or in the case of Lamb’s as Christmas Presents. 

This large size jug measuring 8.5″ features the head of Bacchus with appropriate vinery decorating the sides and bearing the initials of the company and the date 1929.

  
  
In total there have been 5 Doulton items found that were produced for W. T. Lamb including an early jug, a typical 1920’s comport, the above tankard, a fire-well or well head and this vase, probably a design by Vera Huggins and dated 1928. 

  
 These dated pieces date from 1927 through to Christmas 1931.

Other conpanies to Doulton also produced wares for Lambs including Poole but there are certainly other Doulton items out there to be found! 

Collecting Harry Rowntree’s rare Doulton designs.

Harry Rowntree,illustrator, hailed from New Zealand where he also trained as a lithographer. Rowntree subsequently moved to England but struggled for a time until commissioned to illustrate a children’s animal book with which he found his forté and of course great success!  

 

Rowntree’s designs of animals and particularly birds are instantly recognisable and whilst his illustrative work was prolific his Doulton designs are very hard to find! The vase dates to 1921-3 whilst the pin tray is D4430 c.1924.