Follow this link for a sample of pages and a brief explanation of the book!
Here are some pictures of an unusual Puff and Powder I once came across from Seaway China. She is decorated in the Bakst style like several of Harradine’s early figures of the 1920’s. Leon Bakst’s designs for the Ballet Russe were distinctive because of the use of contrasting fabrics placed together; something you can clearly see from this figure. Interestingly the piece is taken from a Raphael Tuck picture by Stanislaus Longley, an artist whose work Harradine regularly used as inspiration for figures but who is only credited with inspiring a handful of figures from the mid to late 1930’s rather than the 1920’s.
Here are the pictures to enjoy!
Here is another link, this time to part 2 of my account of the first 100 years of Doulton’s HN collection of figures, published naturally by Seaway China.
A page from a Doulton leaflet advertising their new Nursery Rhymes series in 1949
Some of Doulton’s earliest introductions to the HN range are inspired by lines from nursery rhymes. Consider Tittensor’s The Land of Nod HN56 or The Little Land HN63 also by Tittensor. In addition we have the very distinctive child models supplied to Doulton by Perugini in 1916, including Upon her Cheeks she Wept HN59, named after a line from Herrick’s “Upon Electra’s Tears” from the 17th Century.
Some of Doulton’s most popular nursery rhyme figures were created by Leslie Harradine and Peggy Davies. They are of course exquisitely modelled, as we would expect and are testament to the skill of all the Doulton artists involved in their production.
Here are some extracts from the same Doulton leaflet from 1949 advertising this new range of figures.
Leslie Harradine’s Once upon a time HN 2047 (above and below)
Peggy Davies’ Curly Locks HN2049 (above and below)
One final figure we can now add to this collection of Nursery Rhymes figures is this charming prototype for Miss Muffet, that no doubt did not go into production due to the success of Harradine’s earlier Miss Muffet HN1936 and HN1937.
The idea of Nursey Rhyme inspired figures has continued into recent times with a new collection by Adrian Hughes from the 1980’s.
A collection of these Nursery Rhymes figures makes an eye catching display and evokes all those pleasant memories of childhood as we recollect those charming lines from our favourite nursery rhymes.
I have recently been asked for advice from Karyn and Gordon Harvey on the figure below from their collection, purchased recently and something they hope is a prototype. Here are the pictures they sent in.
My initial thoughts were that it was clearly a Peggy Davies figure; note the style of the head and the hair and also the detailed modelling. At this time I think she really was trying to imitate Harradine, before developing her own individual style. The head and hair are very reminicent to her figures The Leisure Hour and also Promenade. One give away to any unknown figure is always the face – I once heard that only after 10 years in the figure department would a painter be allowed to paint faces! Here we can see a very typical Doulton face of the 1950’s. Then we look at the base, and whilst there is a Doulton stamp – this cannot be taken in isolation to say for definite that it is a Doulton figure. However, here you can clearly see an impressed model number. Alas the shape books and design books are no longer available for us to consult, but through my own research I have put together a numbering sequence which leads me to believe that the model dates from the early 1950’s, and specificially to ca. 1953 and I am confident in saying that it is a Doulton piece.
Many prototypes from this time appear to be the work of Peggy Davies, a time when Doulton themselves were trying to rationalise production but also manage the cost effective production of their famous figures. No doubt this particular piece was deemed too expensive to reproduce due to the detailed modelling.
Earlier prototypes and colourways often carry the artist who painted them’s initials. In my experience there are two names which crop up time and again here, and they are RB for Reginald Brown and HA for Harry Allen. This practice seems to have stopped in the 1950’s however when the painter’s initials began to be omitted.
In recent times I have noticed a whole hoard of so-called colourways and prototypes coming on to the market – and all I can do is re-iterate my belief that it is always best to buy from a reputable dealer as we would all hate to loose out on a fake!
My thanks to Karyn and Gordon Harvey for their pictures.