The Royal Doulton figure Newhaven Fishwife HN 1480 is like so many of their period street sellers and character figures, based closely on real life. The Scottish fishwives of Newhaven had a reputation for their beauty and industry. They were hard-bargainers though, and all the fishermen of the Firth of Forth in Edinburgh, Scotland, brought their catches to Newhaven for the fishwives to sell in Edinburgh city.
Just like the Doulton figure, the fishwives of Newhaven wore distinctive costumes of layers of colourfully striped petticoats with a muslin cap or other similar headdress, together with a scarf, the tassels of which you can make out in the picture and also around the neck of the figure itself. Their fish, including haddock and herring, were carried on their backs in creels, again just like the figure.
The Newhaven Fishwife although introduced in the 1930s, was not a Leslie Harradine figure, but a model by Harry Fenton, more famously associated today with Doulton’s Character Jugs. She is recorded as having been produced between 1931-37, however, her scarcity reinforces the reality that many figures were made to order rather than being readily available.
A smart child’s breakfast set, once popular christening presents.
Classic nursery rhymes have long provided much inspiration for Doulton’s designers and just like many Seriesware designs the L range was influenced by another artist, Ann Anderson.
Introduced in 1916 there were 12 different designs produced featuring classic characters such as Little Tommy Tucker, the Queen of Hearts and This Little Pig.
A variation of the boxed set above.
Typically produced in bone china the precise date of withdrawal is unknown, although the outbreak of WWII is given as it is with so many of Doulton’s different lines. The bases of items with these designs can carry H or D numbers for this series ware pattern.
Beaker with silver plated handle and original retailer’s box.
As with so many series ware designs hunting down items provides a great challenge and a collection of them makes a great display.
We are all no doubt familiar with the story of the Pied Piper of Hamelin from our own childhoods, the hero who rid the town of its rat problem but who then turned on the town after its residents refused to pay him the agreed sum for his services.
Doulton’s range of limited edition loving cups and jugs are avidly collected around the world and their enduring popularity can be attributed to the fantastic detail and riot of colour present on each of the 30 plus examples first produced in 1930.
Originally the brain child of Charles Noke, he was often assisted by another of Doulton’s most skilled craftsmen, Harry Fenton and both of their signatures can be found on their work.
Doulton’s Pied Piper Jug was produced in a limited edition of 600 pieces in 1934 and designed by both Noke and Fenton. Measuring 10″ it depicts the two aspects of the famous take on each side: the removal of the rats watched over by the mayor and then the children leaving after the town’s refusal to pay the Piper his fee. As was typical of these limited edition pieces the base is also of great interest; here there is a version of the tale printed for collectors.
Of course the story is actually based on legend although it’s precise origins are not clear. Certainly the town in Germany, Hamelin, exists and plays upon this famous legend. A stained glass window once in the town and dating to 1330 depicted the tale and it is well documented in the Luneburg manuscript (c.1440-50) where the story is recounted in detail.
Whether you collect just these limited edition jugs or Royal Doulton generally, this piece will sit perfectly with a collection of similar jugs and there are also a plethora of other Pied Piper related Doulton items from Character Jugs to figures to collect, to make an eye-catching display!
Whilst bouquets of splendid flowers, fans and ermine muffs may be what Doulton ladies are typically modelled holding, mirrors too can be found being held aloft by a small selection of figures both old and new.
Lady Pamela HN 2718.
Camille HN 1586(L) and 1648(R).
Perhaps contrary to traditional views of what is virtuous and what is not, a figure admiring her own beauty was possibly not considered a positive trait and maybe the reason why there are so few ladies holding mirrors?
A prototype from 1940. Another variation of this lady has appeared holding a mask instead of the mirror.
Alternatively, perhaps it is the precariousness of having an arm stretched out holding a mirror that explains why so few ladies have appeared holding mirrors. Certainly when one looks at Harradine’s the Mirror you can see how fragile that little hand help mirror is!
The Mirror HN1852.
Whatever the reason it is something of a shame as the selection shown illustrate how wonderfully stylish these ladies are.
This rather quaint figure produced in the early 1920’s is another advertising figure, but this time it’s purpose is to advertise the once popular Illustrated London News magazine. It covered all topical issues and as well as political comment, satire and stories, it also included full page prints for its readers of modern pictures. It was originally a weekly broadsheet but it move to bi-annual until it ceased production after the millennium.
The Beefeeter is a warder of the Tower of London and not a Yeoman of the Guard as is often stated. The Warder Beefeeter served the Towers prisioners and to protect the Crown Jewels but today they act more as tourist guides.
This Doulton personification of this famous London character holds an actual copy of the Illustrated London News from May 14 1842 , whose print is actually readable. Examples without any text do exist but it is the original that is most eagerly sought after.
This wonderfully detailed figure was commissioned by The Sketch magazine and consequently has no HN number or official title to her base as she was simply made for advertising purposes and not for sale to the general public. In the early years of the HN collection several advertising and publishing houses commissioned Doulton figures to advertise their products including The Perfect Pair HN581, which celebrates the amalgamation of Eve magazine and The Tatler from 1923 and another famous figure the Standing Beefeeter, which carries no official name or HN number, and who was made to advertise The Illustrated London News in 1924.
The figure of Miss Sketch appeared on the front of the magazine and Doulton’s study is a very faithful copy of this peddler lady. In her tray she carries miniature figures representing the subjects covered by the publication: a ballerina for the theatre: a jockey for sport: a cupid for love stories: a soldier for current affairs and a devil who represents devilish satire.
A letter has been discovered preserved inside of one of these rare figures. The letter from the Sketch magazine is dated 1927 and was sent presenting the winner of the magazine’s cross- word with their figurine as a prize. What a wonderful treat?
The name Sir Walter Raleigh will forever be associated with Elizabeth I and the first Elizabethan era when great fame and fortune came readily to England’s Virgin Queen. It was a time of great discoveries and of worldliness that Sir Walter contributed to.
Sir Walter Raleigh HN 1751.
Sir Walter Raleigh – poet, writer, soldier, courtier and explorer – is today recognised as one of the 100 most important people in England’s history.
A portrait of Raleigh with his son in a similar pose to the Doulton figure.
Hailing from Devon, he was a favourite of Elizabeth I at one time and was knighted by her in 1585. He was instrumental in the colonisation of North America and his explorations to Virginia paved the way for future English settlements there.
One of Doulton’s famous character hugs to the great man.
There has even been a Doulton Bunnykins made of Raleigh.
Whilst his story is a famous one, inspiration for this true to life study of him by Royal Doulton derives from a popular source of early Doulton figures, Dion Clayton Calthrop’s book on English Costume from the early 20th Century. He appears to have been modelled on the illustration shown with minor changes including the ruff around his neck.
HN 1751 and one of Calthrop’s illustrations.