Category Archives: Figure Articles

The ‘metamorphosis’ of Leslie Harradine’s The Proposal!

Not exactly a total re-incarnation but as we know from a look at similar figures a while ago, several of Harradine’s early figures were later adapted and re-introduced into the HN range.

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The Proposal HN715 from 1925.

Just like figures including The Windmills Lady who became The Lavender Seller or Sweet Maid who transformed into Millicent, so too did The Proposal HN715 who became this fantastic figurine, Teresa HN1682 and HN1683 in 1935.

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Teresa in both colourways.

The addition of a table and some props creates a really different lady!

Perhaps you have noticed other such transformations? Why not share them in our Facebook group ‘Doulton Collectors Club’!

The WMODA exhibition ‘A flair for fashion’.

I’ve just had some extra pictures of the current exhibition at the WMODA housed at the Gallery of Amazing Things that I thought would interest us all!
The sheer breadth of exhibits is to be marvelled but for me it is the massive array of Doulton wares that interests me most!
Here are a few pictures of the figures currently on display as part of the Flair for Fashion exhibition! Enjoy!!

For further information visit –

http://galleryamazing.com
and

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A look at how Peggy’s figurine Denise evolved!

We all know that an artist’s original model can change dramatically during the pre-production and even sometimes post production phase.

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A chance sighting of this early version of Peggy Davies’ lady Denise reminded me of this! Here you can see an early prototype where there has been an attempt to create a lace effect over the skirt and also around the top of the dress. It makes quite a startling change to the figure and you can see why cost would have prohibited production of this elaborate model.

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A typical version of Denise HN2477 from the Vanity Fair series introduced in the 1980’s.

Many thanks to Jonathan at the Potteries Specialist Auctions for use of the photograph from their upcoming sale on 15th November.

Doulton’s blossoming beauties!

Of the many collecting themes based around colour that are so popular with collectors today, there is a particularly beautiful theme that is not quite as obvious. This being the group of figures with floral decoration to their dresses, cloaks and skirts. Only when looking at our own collections do we often realise that we have several examples in this style in our own collections – perhaps you have others we can add to this picture? I’m sure you’ll agree they make a stunning group! My personal favourites are those on Leslie Harradine’s figures.

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Collecting Doulton’s galloping gals!

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Collecting ‘themes’ is something we look at sporadically but often it is only on reflection that we – or should I say I – realise that we already have a sub-theme already in our collections. This was certainly the case with these Doulton ladies in riding costume!

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I have to admit that I don’t have them displayed as a group, but that is simply because they have been gathered over time and they’ve ‘slotted’ in as and where I can! However, I did find that I had one of my favourites, the Hunts Lady, standing ironically next to a fox!

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Perhaps I’ll find somewhere to have them as a group now, next time I move things around!

Doulton’s 1930’s glamour girls.

After the roaring twenties, the 1930’s developed into a decade of glamour where long, sleek lines and Hollywood glamour took over. Whilst Doulton continued to produced the Victorian style ladies, characters and child studies so favoured by collectors, there were a distinct group of glamour girls which were introduced as a nod to this change in style.

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Two of the first introduced, also happen to be two favourites of mine – Clothilde and Gloria, who appear to have stepped straight out if the pages of a glossy fashion magazine.

Hats have always been a popular theme for collectors, so it is no surprise to see Windflower here with her contemporary brimmed hat.

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Another hat girl is Nadine, who could be promenading along a boardwalk in the evening sun, lapping up attention from her would-be admirers.

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Still other ladies seem to represent popular sports such as the stylish Maureen with her riding crop.

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Another favourite figure of mine is this, The Mirror, with her chic dressing gown, admiring her reflection in her mirror. She is such a delicate figure it is not hard to see why so few have survived.

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A final figure that I’d like to share is the stunning Lambeth Walk, shown dancing to the famous tune of the same name. Her clothes are the epitome of 1930’s chic and this colourway of her is so detailed.

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An Amazing Adventure – Part 2

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Continuing my look back at last Saturday’s talk, here are a few more choice items from the selection that I took along. The premise of the talk was ‘My Collection’.
In this section the theme was the development of figures, so I took the art nouveau, square Harradine vase along so as to discuss Harradine’s roll but also the links with Doulton from his time as an apprentice modeller, to the period 1910-14 when he supplied models to Lambeth on a freelance basis and finally how the link with Burslem was established with the introduction of his first figure into the HN Collection in 1920.
The first figure we looked at was Harradine’s original model for Micawber and we discussed the process and arrangement he had with Charles Noke.
Next up were the M series and these original boxes for them. Most of these M figures were of course based on Harradine’s larger models.
A popular theme for all figure collectors has always – well since HN1 – been children so I shared a few favourites from the Nursery figures set including a prototype in my collection.
Honey and her inspiration followed, a typical painting by Stanislaus Longley, who Harradine used repeatedly for inspiration. Interestingly this work was also used by the famous London store Liberty for a Christmas catalogue cover in the 1930’s – and that is also pictured.
This section was completed with a discussion on colourways and I shared a version of Clothilde that I have from 1937.

Next time I’ll share some Burslem art wares that we discussed!

Painting Royal Doulton figures.

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I love finding pictures of Doulton’s artists at work and here is a more recent find, one Hazel Tyrer. I imagine it dates to the early 1950’s for although there is no date, the Autumn Breezes being painted still has two feet, something that was altered by the early to mid 1950’s.
The article with the picture details that only men at the time were allowed to paint the faces of figures, something we today find hard to comprehend. I also know that it took 10 years practice or training, at one time, before artists were allowed to actually paint faces. It is interesting to know these details today, before they are lost forever.

Royal Doulton’s tribute to the American actress Doris Keane.

Doulton’s accurate representation of the famous American actress in the risqué play ‘Romance’ first performed in 1913 in the states before travelling to the UK two years later, proved a popular figure as you will see.

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A Lambeth version of Doris Keane together with her later, miniature self.

Doris plays an Italian opera singer, an over the top character who always wears black and carries a pet monkey.

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HN 96 with her carrying the pet monkey!

The story follows the ill fated love story of the opera singer and a clergyman. He gives her his mothers pearls and pendant – which can be seen in all versions of this figure – but she realises her past would ruin his career so the two part declaring their undying love.

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An unusual gloss version of HN 90 sold at Bonhams.

Their love scenes, the role of the clergyman and Doris’ undressing on stage made the play a transatlantic success! When she arrived in England she was mobbed and Romance played for over a thousand performances in London alone!

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An unusual hard paste porcelain body version of Doris Keane by John Broad ca.1919. The porcelain body was another invention of Lambeth’s art director Joseph Mott.

This Lambeth version of Doris Keane above would eventually be remodelled and produced in china at Burslem under the name Rosamund and as you can see also above a miniature version was also issued. The two earlier Burslem versions of Doris Keane as Cavallini HN90 & 96 were a monumental 26-28 cms tall, typical of early figures in the HN collection.

Royal Doulton’s perfect ‘pink’ ladies!

Continuing our look at ideas for arranging or grouping figures, here is a further colour theme – picture perfect pinks!

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A group of Harradine’s pink ladies.

The popularity of pink figures like many of the other colour themes we have looked at seems to have fluctuated over the years. Even today there are groups of pink figures that are introduced only for there to be a real gap in the issuing of further examples.

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Three early pink ladies.

However, some pink ladies remained popular for decades including Harradine’s pink Top o’ the hill HN1849 and many of his child studies including Cissie HN1809 and her partner Bo-Peep HN1811.

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A selection of Peggy’s pink ladies.

Many of Harradine’s figures from the mid to late 1930’s were issued in either a pink or a blue colourway and the pink appears to have generally been preferred, meaning that today collectors really have to search assiduously for the blue versions of figures such as Miss Fortune, The Lambeth Walk, Windflower and Maureen to name but a few.

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Valerie Annand’s elaborate L’Ambitieuse from more recent times.

As always whatever your tastes a grouping of one colour or many colours makes an eye-catching display.

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Peggy’s beautiful figurine ‘Polka’.