Category Archives: Leslie Harradine

Leslie Harradine – Part 1 The early Lambeth years

Leslie Harradine – Part 1 The early Lambeth years

Much has been written about Leslie Harradine over the decades since the resurgence of interest in Doulton art wares.

Above: A rare glimpse into Harradine’s life with his 3rd wife.

Arthur Leslie Harradine was born in 1887 in Clapham, London, the son of a solicitor. In 1902 at the age of 15 he began an apprenticeship at Doulton as a learner modeller under the tutelage of George Tinworth and John Broad, although he also assisted Mark Marshall and Frank Pope at this time too. He would late remark about his experiences at this point in his life that he wished ‘he (Tinworth) would give up those dreary religious plaques and concentrate on mice and frogs’. Perhaps providing us with a clue not only into his own artistic preferences but also into his personal beliefs too.

During this early training Harradine attended evening classes at Camberwell School of Art under Albert Toft, who ironically would provide the model W. S. Penley as Charley’s Aunt HN35 to what would become the HN collection, that Harradine himself would influence so dramatically only a few years later.

In 1908 suffering from the confines of factory life, Harradine left Doulton at the end of his apprenticeship and unexpectedly set up as a poultry farmer in Hertfordshire with his brother Percy. Naturally he set up a studio there and continued the link with Doulton by sending in over eighty different models for them to reproduce as slip cast art ware. The list of items sent varied from figure groups to vases to child figures. These early piece demonstrated perfectly his ability to interpret people from all walks of life and all cultures.

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Three examples of Harradine’s early work for Lambeth

With the outbreak of World War I in 1914 Doulton’s art ware production was curtailed and so Harradine decided to emigrate to Canada with his brother, where they acquired 4000 acres of farming land in Saskatchewan. The open spaces suited both brothers and Harradine continued to model pieces but alas could not fire them. In 1916 the brothers enlisted into a Canadian regiment, Lord Strathcona’s Horse Regiment and saw action in France. Leslie had three horses shot from under him and unfortunately the last fell on him, injuring his leg, resulting in his being ‘invalided out’ after long spells in hospitals convalescing.

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Two of Harradine’s large size Dickens figures made at Lambeth

By the end of the war family life had added a new dimension to his bohemian life. With a wife and a daughter, with two more daughters to follow, Harradine became a freelance artist to support his young family; continuing to do models for Doulton’s Lambeth works.

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Mr Micawber made at Lambeth. The brown glazed version is much more unusual, although perhaps less popular than the usual white glazed figure

And so the first chapter of Harradine’s association with Doulton comes to a close. In the next we will look at how new links were established with Doulton at Burselm and the great influence he made on the HN collection for Doulton.

 

 

 

 

An Easter Day surprise!

A treat for fellow figure collectors is this early version of Easter Day by Leslie Harradine, modelled after a still of Vivienne Leigh in ‘Gone with the Wind’ from 1938 when the actress played Scarlet O’Hara. The actual version of this figure that went into production in 1945 was accurate in almost every detail to the photograph that has previously been listed here!

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Doulton’s Child studies by Leslie Harradine

Child studies have always been popular with Royal Doulton collectors, and from the launch of the HN range child studies have played a key role in the range. We all know of course the famous story behind Darling HN1 modeled by Charles Vyse, but collectors are sometimes surprised to see that Leslie Harradine, perhaps the most collected of all Royal Doulton modellers, also created many charming portraits of children. With six children of his own he certainly had much in real life to base his models on. Unfortunately we do not know if any of the figures he supplied to Royal Doulton were based on any of his own children, but we do know a few of the sources he used.

If you look at my book ‘Reflections’ you will see a section dedicated to Molly Benatar and Harradine based his Miss Muffet HN1937 clearly on one of Benatar’s designs for Raphael Tuck, the greetings card specialist. Even the coloring of this figure is copied from the original.

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Miss Muffet HN1937 and Molly Benatar’s ‘When hearts are young’ illustration

A recent discovery of mine is also that Nana HN1766 is based on another of Benatar’s pictures. The skirt, the hair and the hat worn identify Nana.

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Molly Benatar illustration and Nana HN1766

Another of Harradine’s most popular child studies is Sweeting and she , dressed in her party frock, was inspired by an advert for the once eminent London department store Marshall and Snellgrove.

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Sweeting HN1938

Other child figures by Harradine simply reflect childhood at its most innocent, consider Pyjamas HN1942 or To bed HN1805, either of whom could have been anyone of us in our early years. Harradine was able to capture a certain charm in his child studies, just as his did so perfectly with the bevy of ladies in so many varying guises, that he now is famed for.

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Pyjamas HN1942

One particularly popular child figure is Marie HN1417 introduced in 1930. A purple version of this figure was made up until 1988. Originally made as a pair to Rose HN1368, they can both be found in complimentary as well as contrasting colorways, and more unusually you can find them mounted on bookends and other objects. The enduring popularity of Rose meant that a new colorway HN2123 was introduced in 1983.

As with most Harradine figures, his child studies were also issued in several colourings. Particular favourites of mine are Lily HN1789, Ruby HN1724 and Diana HN1716. All three young girls display perfectly with their taller counterparts. Harradine understood precisely Royal Doulton’s requirements and when a popular theme was established he sought to develop it further. The world-famous Royal Doulton street sellers is one such case where a child study, namely Linda HN2106 was introduced to expand that series.

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Diana HN1716

A final figure I would like to bring to your attention is The Rocking Horse HN2072. This particular figure I am sure you will agree is simply charming. The only reason I can summise for its short production (1951-53) is that the figure was too costly to produce. The inspiration for the piece is no doubt the film The Rocking Horse Winner from 1949, where the young hero discovers he can predict race winners by rocking his horse.

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The Rocking Horse HN2072