I thought you might all like to see this extra montage of the Queen’s visit to Royal Doulton at Burslem in 1949, when still Princess Elizabeth. Of particular interest is some Seriesware inspired by Brangwyn ware and also the decorating of figures from this period and a comprehensive display of them! Well worth a look!
http://www.britishpathe.com/video/princess-elizabeth-visits-the-potteries/query/Doulton
This rather quaint figure produced in the early 1920’s is another advertising figure, but this time it’s purpose is to advertise the once popular Illustrated London News magazine. It covered all topical issues and as well as political comment, satire and stories, it also included full page prints for its readers of modern pictures. It was originally a weekly broadsheet but it move to bi-annual until it ceased production after the millennium.
The Beefeeter is a warder of the Tower of London and not a Yeoman of the Guard as is often stated. The Warder Beefeeter served the Towers prisioners and to protect the Crown Jewels but today they act more as tourist guides.
This Doulton personification of this famous London character holds an actual copy of the Illustrated London News from May 14 1842 , whose print is actually readable. Examples without any text do exist but it is the original that is most eagerly sought after.
The twelve lady musicians who make up this elegant series were all modelled by the legendary Peggy Davies and the first figurine Cello was introduced in 1970 with the others progressively introduced from that year.
Cover of a booklet produced by Doulton to advertise the new Lady Musicians series.
Another first was that these figures were the first in 50 years to carry the name of their modeller to the base in recognition of Peggy’s massive contribution to the Doulton fame.
A contemporary Australian exhibition of Peggy’s independent work.
Each of these lady musicians were produced in a limited edition of 750 pieces and were produced in a matt finish, popular at the time. The idea behind the series being that over the years an 18th Century orchestra could be built up.
The Leader.
Typical of Peggy we can still recognise today the results of her painstaking research and technical expertise we associate with her work.
Lady Musicians HN 2795, 2798 & 2796.
Again typical of Peggy is that she decided to introduce her own figure The Leader to accompany this series under her own name to satisfy collectors’ requests. During the 18th Century it would have been more usual to have a leader rather than a conductor.
This wonderfully detailed figure was commissioned by The Sketch magazine and consequently has no HN number or official title to her base as she was simply made for advertising purposes and not for sale to the general public. In the early years of the HN collection several advertising and publishing houses commissioned Doulton figures to advertise their products including The Perfect Pair HN581, which celebrates the amalgamation of Eve magazine and The Tatler from 1923 and another famous figure the Standing Beefeeter, which carries no official name or HN number, and who was made to advertise The Illustrated London News in 1924.
The figure of Miss Sketch appeared on the front of the magazine and Doulton’s study is a very faithful copy of this peddler lady. In her tray she carries miniature figures representing the subjects covered by the publication: a ballerina for the theatre: a jockey for sport: a cupid for love stories: a soldier for current affairs and a devil who represents devilish satire.
A letter has been discovered preserved inside of one of these rare figures. The letter from the Sketch magazine is dated 1927 and was sent presenting the winner of the magazine’s cross- word with their figurine as a prize. What a wonderful treat?
The name Sir Walter Raleigh will forever be associated with Elizabeth I and the first Elizabethan era when great fame and fortune came readily to England’s Virgin Queen. It was a time of great discoveries and of worldliness that Sir Walter contributed to.
Sir Walter Raleigh HN 1751.
Sir Walter Raleigh – poet, writer, soldier, courtier and explorer – is today recognised as one of the 100 most important people in England’s history.
A portrait of Raleigh with his son in a similar pose to the Doulton figure.
Hailing from Devon, he was a favourite of Elizabeth I at one time and was knighted by her in 1585. He was instrumental in the colonisation of North America and his explorations to Virginia paved the way for future English settlements there.
One of Doulton’s famous character hugs to the great man.
There has even been a Doulton Bunnykins made of Raleigh.
Whilst his story is a famous one, inspiration for this true to life study of him by Royal Doulton derives from a popular source of early Doulton figures, Dion Clayton Calthrop’s book on English Costume from the early 20th Century. He appears to have been modelled on the illustration shown with minor changes including the ruff around his neck.
HN 1751 and one of Calthrop’s illustrations.
Some early Doulton advertising booklets for Dickensware ca. 1912 – the Centenary of Dickens’ birth, together with 2 seriesware trays a calendar with a Dickens figure and an early Tony Weller
When it comes to the works of Dickens, Charles Noke, Doulton’s art director at Burslem was blatantly a fan if not obsessed by all things Dickens.
A facsimile of a letter from Dickens’ son to Doulton & Co. expressing his pleasure at their Dickens range
From the early 20th century and throughout his time as art director and even after, Doulton have produced a wide variety of wares to commemorate Dickens’ works.
Three of Leslie Harradine’s original models for the miniature Doulton Dickens figures
The lengthy of time these many wares were produced mean that there is something for every collector, old and new and something for every pocket size too!
Another of Harradine’s Prototypes, this time the full…
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Images of sports including cricket, cycling, shooting, running, football, long jump, rugby, soccer, horse racing and golf can be found decorating Lambethware. These items remain as popular today as they did during the time they were produced from the 1880’s to the outbreak of World War I. Typically decorated in the art nouveau taste in addition to the sporting motifs, these unusual pieces of Lambethware remain as stylish today as they did when first introduced!
Originally designed by John Broad, sporting relief items can be found with silver mounts, befitting their status as trophies and commemoratives and enabling personalised inscriptions to be given to the silver mounts.
The most popular remain the golfing, cycling and cricket subjects and items of Doultonware featuring these sporting themes regularly crop up at specialist sporting auctions and consistently command among the highest prices in such sales.
Thanks to the team at Seaway China for the images used here.
When it comes to hard to find seriesware patterns, Doulton’s ‘Witches’ series is one of the most difficult to find today!
Here is a rare three piece teaset including teapot, milk and sugar – all in wonderful original condition that is even more unusual!
Introduced in 1906 examples of this series ware pattern are among the hardest to trace today. It’s precise date of withdrawal is unknown but I can imagine the ‘by 1928’ is simply a guesstimate and in reality production would have been much more limited given its scarcity today.
As with all seriesware patterns a collection of one theme makes a real statement and the pleasure of collecting and searching out that rare item is what drives collectors to continue!
Doulton’s 1933 tribute to William Wordsworth (1770-1850), produced to commemorate his being made poet laureate, is among the most rare of the Loving Cups and Jugs first produced by Doulton in the 1930’s. The range of Loving Cups and Jugs was the brainchild of Charles Noke, Doulton’s famous Art Director at their Nile Street studios.
The enduring popularity of Doulton’s Limited Edition Loving Cups and Jugs lies in the quality and decoration afforded to each by Doulton’s leading artists. No attention to detail was spared and even the bases of these jugs are an art work in themselves!
The Wordsworth Loving Cup was modelled by Noke himself and it bears his signature to the body. The cup features a portrait of the poet below a view of Grasmere Church, his final resting place, around the rim and on the other side a portrait of his sister Dorothy below Dove cottage, her home that he once shared. Both locations can be found in Grasmere in the Lake District in the UK.
Wordsworth is forever remembered for his beautiful poetry and among his admirers was one Henry Doulton, who after meeting Wordsworth commented that the latter was the most ‘…potent force in the poetry of the 19th Century…’.
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