Category Archives: Burslem

Doulton’s Persianware Pt. 2

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This second look at Doulton’s Persianware is solely focused on seriesware. There are three variations of this ware, A, B and C. The first designs were introduced around 1912 with a white background. This would be replaced in 1917 with a blue background.

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This pattern of course has a special backstamp as shown here.

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Typically of Doulton’s seriesware unusual items turn up from time to time. Only yesterday I saw a hat pin stand in this pattern. Other items that have turned up range from usual Doulton style vases to dressing table sets to tea sets.

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Doulton’s dog derivatives…

Just when your cabinets are full to capacity you discover that there is something else to collect – so say all collectors!

Similarly with Doulton’s array of dogs, there is a derivative for everyone be it ….

A pencil holder/pin tray….

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A bust of your favourite breed…

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A bookend (shown minus the mahogany mount)…

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Ash trays….

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And even brooches…

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As with everything Doulton…they aimed to cater for every taste and the variety of objects that can be found is limitless and not restricted to the examples above.

On my own desk I have a calendar with a character Pekingese puppy and a stamp dish with a character fox.

The fun in collecting is not knowing what is around the corner and this field of collecting Doulton certainly offers that variety! Happy collecting!

Kate Greenaway’s influence on Doulton Seriesware

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The style of dress on this early teapot is clearly influenced by the illustrations if Kate Greenaway from Victorian times, although the actual designs on this and the sugar basin below are actually by C. Van Brown.

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This aesthetic style is so closely influence by Kate Greenaway that it could be one of her illustrations. She undoubtedly started something of a craze in Victorian times for this style of dress and decoration. She certainly revolutionised children’s books and clothes of the late 19th Century.

The designs illustrated actually belong to the Pastimes series produced around 1902.

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It wasn’t until 1978 that doulton actually used some of her illustrations on plates from her illustrations for an Almanack from 1884.

Of course there is also the series of 18 figures introduced from 1976 started by Peggy Davies and continued by Pauline Parsons all based on Kate Greenaway’s style.

Dishes, bookends and calendars!

Collectors are often bemused to see their cherished figures mounted on bookends, calendars and dishes! This trend began in the early 1920’s at the same time as the figure lamps were produced.

‘M’ series miniatures are perhaps most often associated with bookends and certain calendars like these below.
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Occasionally very rare figures turn up mounted on bases, such as this Crinoline Lady pin tray.

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Harradine’s small Dickens figures appear mounted on a variety of bases, like this selection too.

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Small Doulton animals are also found mounted as many different objects but particularly desk furniture. Here is a comical fox I found mounted as a stamp tray.

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And also a Sealyham begging mounted on this calendar.

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As many of you know Pekingese play an important part of my life and I have managed to assemble this small group of objects all with mounted Pekingese!

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Many of these objects, especially those mounted with sterling fittings would have been retailed by top jewellers of the period including Asprey and Garrards in London. Even more ‘normal’ objects such as pin trays were given sterling mounts so as to make them exclusive objects for top jewellers, such as this Shagreen pin dish (in an unusual blue) which has been given silver mounts to turn it into an an ashtray!

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This is only a sample of possible objects, and we would love to hear from you if you have other items mounted with Royal Doulton on our Doulton Collectors Facebook page!

Doulton’s ‘red’ ladies

Red has long been one of the most popular colours amongst figure collectors, but it took almost 20 years for Doulton to cotton on!

The earliest figures were produced in a rainbow of colours but it wasn’t until the late 1920’s that red colourways of figures began to emerge with the introduction of figures such as Kathleen, Priscilla and Rosina.

Thereafter there has been a parade of other red figures culminating in the late 1930’s and the immediate years after the war with the introduction if three of the most famous Doulton ladies ever: Top o’ the hill, Auntumn Breezes and of course Christmas Morn. The lengthy production of these figures not only stands as popular proof of the model but also the popularity of their colourways!

Here are a selection of my favourite ‘red’ ladies!

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Since the introduction of Christmas Morn there have been an array of other ladies in red – perhaps you have them in your collections?

Happy collecting and remember we would love to hear from you on our Doulton Collectors Club Facebook page!

Doulton’s most unusual glazes: Sung, Chang and Chinese Jade

Charles Noke continued to experiment with glazes long after the departure of Cuthbert Bailey with whom he had perfected the Flambé glaze in the early 1900’s. And so in 1920 Sung was introduced, whereby painted decoration, colour and gilt are fused with the a flambé glaze.

FLM_Sung Vase Ducks in Flight (Small)

A stunning Sung vase.

I am sure you will agree that these pieces are magnificent. However, it is in the flesh that these pieces must be enjoyed to full effect as in this slide. Vases, large and small were decorated with exotic birds, pixies in woodlands, fish in seascapes along with many other subjects.

FLM_Sung Owl with Owlet Wing HN160 (Small)

Sung owls.

 

These pieces were painted principally by Harry Nixon, Arthur Eaton and Fred Moore. Sung glazes can be found on Buddhas, as can also be seen here in this advert from the 1920’s, a handful of suitable early figures from the HN range such as A Spook, as well as animals, in particular elephants, a favourite of Charles Noke can also be found.

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Orignial Sung advert ca. 1920.

FLM_Sung Foxes Curled HN117 (Small)

Sung curled foxes.

Another magnificent addition to the Burslem range in 1920 was the Chinese Jade glaze, imitating the ancient Chinese glazes of centuries before, by using a thick white glaze streaked with green. Pieces of Chinese Jade are exceptionally rare, due to the costliness of production, together with the high proportion of rejects due to the inherent difficulties in achieving this technique.

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Chinese Jade lidded bowl with ‘Despair’ HN596 as the finial (the name of this figure is only a name given when the original figure book was published in 1978 as there is no record of its actual name).

A variation of this ware exists whereby the green streaks are replaced by blue ones, and this extraordinarily rare glaze is aptly named Lapisware.

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A very rare Lapisware lamp base.

Another glaze worthy of inclusion here is perhaps the most magnificent of all. Chang ware was introduced in 1925 and involved a thick body upon which multi-coloured thick glazes were allowed to run and crackle – contrary to all usual pottery rules.

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Original Chang catalogue cover.

The results you can see from this slide are breathtaking. Nothing like this glaze had been sen before even in ancient times, and it was greeted by worldwide acclaim. Chang pieces are usually found with the monogram for Harry Nixon on their bases together with Noke, for either Charles or Jack Noke, who succeeded his father as art director in the late 1930’s. The addition of Noke’s name signified the quality such work achieved.

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Chang ginger jar and cover.

To finish here are a selection of other glaze pieces from the early 20th Century. Enjoy!

FLM_Sung Vase Gnomes in Tree 13H (Small) FLM_Sung Vase Gourd Shape 6H (Small) FLM_Chang Tobacco Jar (Small) FLM_Chang Vase 3 Tier 11H (Small)

Doulton’s Hyperion ware

This has to be one of my favourite of all the Doulton wares, although I only have three examples in my collection. This ware had a very short production around 1900 and pieces are typically pastel pink or pastel blue and come in the usual range if shapes Doulton used in vases from this time. Although I did once have a cobalt blue example signed Walklate.

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This particular style of painting was introduced by Noke and pieces of this ware are generally painted by Fred Walklate, John Kelsall or Edward Raby – three if Doulton’s most prestigious artists of the time.

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This ware has no special mark but is so distinctive that it stands out from the crowd. The freehand floral images painted onto the pastel body were often outlined in gilt and there was often acid etching too, as in the two examples shown.

Hyperion ware is very rare today so pieces rarely appear on the secondary market.

The enchanting Lizana – another one not included in Reflections!

Inspired to share this next piece by a fellow collector who cherishes her Doulton figure Lizana, here is the inspiration behind her – a contemporary cigarette advert! Not quite PC today but the effort and detail put into advertising this brand of Abdulla cigarettes is to be marvelled, especially the rhyme at the bottom!

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(C) Christopher Evans 2014

Tinkle Bell’s inspiration – another one that didn’t make the final cut…

Another picture for you all to add to your lists of pictures that inspired figures is this charming child study by  an unknown artist ‘Pieperhoff’.

As Jocelyn and I were selecting the themes we would include in our book Reflections: Doulton Figures as a Mirror of their Times, it was inevitable that we could not include everything we had found.

Typical of this time, many unknown artists’ work was used for greetings cards, in a similar vein to those published by Raphael Tuck and Valentine & Co. that we have already looked at.

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Pieperhoff’s sentimental child study that inspired Tinkle Bell HN1677 below.

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This particular illustration was clearly popular at the time (1930’s) as it can be found relatively readily and I have a miniature and a larger (30cm by 20cm) version.

Royal Doulton Tablewares – an art deco surprise!

Just as Doulton’s Lambeth art studio was supported by the manufacture of drainpipes, the Burslem enterprise was in its turn supported by the sale of Doulton’s famous tablewares.

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A contemporary publicity shot for the Syren pattern.

Just as the many other pottery companies of the time, Doulton attempted to stay bang up to day whether it be imitating arts and crafts, designs, Victorian styles or geometric art deco patterns, yet, Doulton managed to climb to the top of the pile playing upon their heritage for producing quality items in modern tastes.

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A leaflet promoting Doulton’s latest designs ca. 1935.

As well as producing items for the humble households up and down the country and around the world, Doulton also supplied some of the top hotels and restaurants with exclusive tablewares including The Savoy and Claridges in London. Certain patterns were targeted at particular markets such as the Maple Leaf pattern for Canada or the Wattle pattern for Australia.

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A tableware leaflet illustrating Doulton’s deco tableware shapes.

Today it is possible to build up a vintage set of china whether in one particular pattern if you are patient or by mixing and matching the many styles available. In general it will be of interest for collectors to note that many of the deco dinner services were produced in earthenware, whilst the same pattern could be bought in bone china as a tea set. The reason being the durability of earthenware.

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Another publicity shot this time featuring Eden on an earthenware body, note the wonderful toast rack!

Here is a set that Paul has unearthed recently, I love the simplistic art deco lines in silver and the classic lines of the shape it is on.

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The Royalty pattern with its simplistic art deco platinum lines.

Another interesting thing to collect are the many tablecloths produced for Doulton featuring their most popular lines. I have a few examples including one to match Eden in the colourway above.

When you’ve built up a collection, use it as it will bring so much more pleasure! Happy collecting….