Just when you think the house is full of all things Doulton and where else can you possibly place new bits…let’s take a look at some neat ideas for the garden.
Throughout the world there is famous Doulton statuary recognising the famous, as well as great occasions, but Doulton were keen that everyone should be able to decorate their own gardens with their products.
Thus Doulton produced all manner of garden ornamentation for us to now seek out and fill our own green havens with.
Here is one piece I have called ‘Reflections of Childhood’ but I am sure many of you will instantly recognise it as simply a large version of Leslie Harradine’s ‘Child Study’ HN 603.
This was a particular traite of the garden ornament selection, as other figures but also animals were re-modelled in larger scale so as to suit a garden setting. Here are a selection of catalogue pages dating from 1928 to the mid 1930’s where you can see other such examples.
Not surprisingly garden fountains, sundials and all manner of other garden ornamentation were also made and here are a few more examples …
What better way to enjoy your Doulton than in the summer sun and here we have another area for us all to collect!
Just a few pictures from the old figure museum on one of the last times I visited ca.2002.
Thank goodness I had the chance to visit many times as sadly it was sold off many years ago now.
Whilst the museum was built up in relatively recent times, the figures in it formed the basis of the original Doulton Figures Book in 1978. They were sought from all corners of the globe by Richard Dennis and his then assistant Jocelyn Lukins before she left to set up on her own.
Anyway, enough chat…here are a handful of pictures! Enjoy…..
Arthur at work in 1953
Arthur Perrins had a typically long association with Doulton & Co for his genreration; he began in the early 1940’s remaining with them until finally retiring in 1993. He was used to advertise Royal Doulton’s artistry over decades at some of the most prestigious stores in England including at the Doulton store at Harrods in London. Here are some pictures of Arthur at work, including a figure painting demonstration at Harrods in the early 1950’s. He is survived by his widow.
Arthur explaining the process involved in painting a Top o’ the hill ca. 1954
A Harrods display with Arthur demonstrating figure painting, again on a Top o’ the hill
Here is a link to some further pictures of Arthur at work on John Twigg’s excellent site about Doulton artists:
A page from a Doulton leaflet advertising their new Nursery Rhymes series in 1949
Some of Doulton’s earliest introductions to the HN range are inspired by lines from nursery rhymes. Consider Tittensor’s The Land of Nod HN56 or The Little Land HN63 also by Tittensor. In addition we have the very distinctive child models supplied to Doulton by Perugini in 1916, including Upon her Cheeks she Wept HN59, named after a line from Herrick’s “Upon Electra’s Tears” from the 17th Century.
Some of Doulton’s most popular nursery rhyme figures were created by Leslie Harradine and Peggy Davies. They are of course exquisitely modelled, as we would expect and are testament to the skill of all the Doulton artists involved in their production.
Here are some extracts from the same Doulton leaflet from 1949 advertising this new range of figures.
Leslie Harradine’s Once upon a time HN 2047 (above and below)
Peggy Davies’ Curly Locks HN2049 (above and below)
One final figure we can now add to this collection of Nursery Rhymes figures is this charming prototype for Miss Muffet, that no doubt did not go into production due to the success of Harradine’s earlier Miss Muffet HN1936 and HN1937.
The idea of Nursey Rhyme inspired figures has continued into recent times with a new collection by Adrian Hughes from the 1980’s.
A collection of these Nursery Rhymes figures makes an eye catching display and evokes all those pleasant memories of childhood as we recollect those charming lines from our favourite nursery rhymes.
Check out this link for a look at the first chapter in the 100 years of Doulton figures by me and published by Seaway China.
Here is the first page of the HN figure decoration book
Here is a sample:
Few people in 1913 would have imagined that this article would be being written to celebrate the 100th anniversary of Royal Doulton’s HN Collection. It was not after all Doulton’s first attempt at a introducing a figure range and many other famous factories had attempted and failed at this ambition. In 1893 at the World Columbian Exhibition in Chicago, a handful of figurative models by one of Doulton’s newest recruits Charles J. Noke were among their exhibits. These minimally decorated figures, now commonly referred to as Vellum Figures, met with a mixed reception from the buying public and Noke’s ambition of reviving the once famous, Staffordshire figure production was put on hold as his attention was drawn away by other projects including the introduction of Kingsware, Rembrandtware, Holbeinware, Hyperionware, the famous flambé glazes and the introduction of Doulton’s Series Ware with patterns such as the popular Dickens series. The range of Vellum Figures was very much influenced by the products of the Worcester factory where Noke had worked for some sixteen years until leaving to join Doulton in Burslem in his early 30’s. He would later comment that he joined Doulton ‘not for the money but for the freedom’ as Henry Doulton famously allowed his artists free rein.
A timely visit to the Doulton Burslem factory in April 1913 by England’s then King George V and Queen Mary provided a re-newed impetus to Noke’s desire to launch a new range of figures. In the years preceding this visit Noke had been approaching a carefully selected group of artists to provide models for Royal Doulton to reproduce in ceramic. It is reported that the new range of figures was completed in late 1912 but the launch of the range was held back to coincide with the Royal visit, and what a good decision this proved to be as Queen Mary would become a fan of the range making many purchases over the coming decades. In Royal Doulton’s brochures from the 1920’s and 1930’s they even pin pointed the figures Her Majesty had purchased – it undoubtedly proved very useful to have the most famous lady in the land favouring their figures.
A rare photograph of Leslie Harradine
The next chapter of Harradine’s association with Doulton begins in 1919. Noke, Art Director at Doulton’s Burslem factory recognised Harradine’s talent for figure making and attempted to recruit him. Noke had been particularly impressed by the set of six Dickens figures Harradine had modelled for Lambeth.
One of Harradine’s six Dickens figures made for Lambeth – Mr Micawber
However, not under any circumstances would Harradine consider working at Burslem, but via Lambeth’s Art Director Joseph Mott’s intervention, a meeting between Noke and Harradine was arranged whereby Noke travelled to London to meet with Harradine. The result of this meeting was of course that arrangement that has become legend amongst Doulton figure collectors. Thus Noke and Harradine came to an arrangement, whereby Harradine would send a succession of models to Burslem for Noke’s approval and a change of allegiance to Doulton’s of Burslem. This was an arrangement that lasted almost 40 years and would continue when Noke’s son succeeded him as Art Director in 1936 at Burslem. Harradine modelled in his preferred medium – salt glaze stoneware and sent one or two models per month wrapped in brown paper, and whose arrival would cause something of a stir when they arrived in Burslem.
Here are two of Harradine’s original models for Burslem figures, both of Mr Micawber (first and second versions)
His models would deliver the popular success that the HN range had hitherto not achieved, representing fashions and interests from their own era. Harradine modelled women, men and children with equal skill. His figures entered the HN range in 1920 with The Princess HN391 until 1956, when his last ‘new’ model was introduced, Dimity HN2169, although many of his studies remained in production decades after this.
The very stylish Clothilde in two colourways
At last Noke had found a modeller who could tap into the so-called ‘moment’ whatever it was, whether it is flapper girls, Victorian ladies, children or group studies. All were executed with precision and subtle style. Harradine remained something of a nomad yet he continued sending in models from addresses in England, the Channel Islands and Spain until the end of this great partnership.
In our final part to the Harradine story, we will look at Leslie Harradine, the family man.
I thought you might all like to see this extra montage of the Queen’s visit to Royal Doulton at Burslem in 1949, when still Princess Elizabeth. Of particular interest is some Seriesware inspired by Brangwyn ware and also the decorating of figures from this period and a comprehensive display of them! Well worth a look!