Category Archives: Seriesware

Doulton’s watchers of the night.

The watchman was certainly a popular character when it comes to seriesware from the early 20th Century.

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Watchman seriesware jug.

Interestingly the designs are among the first registered Seriesware D numbers and still more interesting is that some were registered as early as 1882 before D numbers were introduced as a means of labelling patterns for giftware.

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Wash Set.

These early scenes could vary from the simple jug to the elaborate wash set pictured, with the added wording “Watchmen, what of the night?”

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2 sizes of Kingsware flask.

The image of the Watchman appears too on early items of Kingsware from 1902, not just on jugs but also a very rare clock case with art nouveau decoration too. The flasks with his modelled head are particularly good! For further information on Kingsware please see Jocelyn Lukins’ book on the subject.

Also of interest is the history behind the Watchmen, who were precursors to what we know as policemen today. An affectionate nickname for them was ‘Charley’ after the then monarch, Charles II, and of course this is where the name Old Charley comes from in terms of Character Jugs and their derivatives that are do popular today!

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Publicity photograph ca.1939.

Old Charley D5420 was one of the original jugs from 1934 and spawned a range of derivatives from wall pockets, to toby jugs, to ashtrays, ash bowls, teapots and other items!

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3 derivative sugar bowls.

Whatever your preference a display of Watchmen items makes a great focal point!

Doulton’s rare seriesware pattern Pixies.

For me this is one of the most endearing patterns that can be found on seriesware and it really does take you back to a different time – when fairies, pixies and gnomes were all the fashion and captured our imaginations.
There are two pattern numbers recorded – D3690 and D3747.
I have seen the plate on the right (D3690) in different colours and the design on the left (D3747) on a baby bowl – other than these examples, I have never come across any others, so I imagine it to be rare.
This charming series was introduced in 1913 and apparently withdrawn by 1930.

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Royal Doulton’s Gaffers seriesware

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An early publicity booklet for the Gaffers pattern.

This quaint series certainly belongs to a different age although the dialect is still associated with the wonderful people of Somerset.

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A catalogue page illustrating some if the styles available ca.1924.

The leaflet pictured above comes with a vivid description of his life and routine, even explaining some of his typically ‘Zummerset’ sayings!

The pattern was introduced in 1921 and being popular remained in production until WWII.

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A Gaffers ash tray.

There were some 19 different scenes available, designed by the great C. J. Noke and typically bearing his signature; he  had a particular interest in all things literary and other personalities from English heritage.

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A large milk jug with scene 1 on it.

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The reverse of the same jug with the inscription ‘GAFFERS I be all the way from Zummerset’.

The character, the Gaffer, derives his name from respect as it refers to either an older man or master, not the more common term today for a boss.

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A typical 12″ rack plate.

The Gaffer is seen in his typical smock of brown holland or hand-made linen, with either an umbrella or knobbly stick in his hand.

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A Gaffers tea cup and saucer.

 

Collecting Doulton postcards

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I always say Doulton, unlike any other pottery has something for every collector and here is another theme to collect – postcards.

Doulton produced or rather had printed postcards to advertise a number of their wares such as serieswares, Lambeth wares and also figures.

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Some postcards, like the two illustrated for seriesware are works of art in their own right and can stand along side pieces of actual seriesware in a display.

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I have not found many advertising figures but this one for the Beggar’s Opera series is a favourite.

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Postcards were produced not only to sell items but to re-enforce Doulton as a world player in the pottery market. Here is a great postcard advertising their Lambeth showrooms.

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In recent times postcards were produced for the old visitor centre at Nile St. Burslem featuring their artists at work as well as displays and prized museum pieces.

Postcards featuring Doulton were also popular and I have a series of birthday cards featuring Doulton items. Here is a postcard from Glasgow featuring their famous Doulton fountain.

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Whatever your interest in Doulton you are bound to find some derivative such as postcards to enhance your collection!

Doulton’s Persianware Pt. 2

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This second look at Doulton’s Persianware is solely focused on seriesware. There are three variations of this ware, A, B and C. The first designs were introduced around 1912 with a white background. This would be replaced in 1917 with a blue background.

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This pattern of course has a special backstamp as shown here.

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Typically of Doulton’s seriesware unusual items turn up from time to time. Only yesterday I saw a hat pin stand in this pattern. Other items that have turned up range from usual Doulton style vases to dressing table sets to tea sets.

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Kate Greenaway’s influence on Doulton Seriesware

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The style of dress on this early teapot is clearly influenced by the illustrations if Kate Greenaway from Victorian times, although the actual designs on this and the sugar basin below are actually by C. Van Brown.

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This aesthetic style is so closely influence by Kate Greenaway that it could be one of her illustrations. She undoubtedly started something of a craze in Victorian times for this style of dress and decoration. She certainly revolutionised children’s books and clothes of the late 19th Century.

The designs illustrated actually belong to the Pastimes series produced around 1902.

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It wasn’t until 1978 that doulton actually used some of her illustrations on plates from her illustrations for an Almanack from 1884.

Of course there is also the series of 18 figures introduced from 1976 started by Peggy Davies and continued by Pauline Parsons all based on Kate Greenaway’s style.

Regency HN1752 finds a home in Doulton’s famous seriesware pattern Historic England!

A few years ago I spotted the tray below and instantly recognised my figure Regency as the character in the scene!

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The seriesware picture is faithfully copied from Harradine’s figure, save that the riding crop has changed hands and a feather has been added to the tricorn hat!

The story behind the seriesware pattern is that the lady is Dorothy Vernon, daughter of Sir George Vernon who owned Haddon Hall, who runs off with the son of the Earl of Rutland – a union opposed by the parents probably because of religious differences!

The series was introduced in 1938 and withdrawn by the early 1950’s.

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Once again Doulton surprises us with this link between the figure range and seriesware!

A celebration of Doulton’s Jackdaw of Rheims seriesware pattern

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The cover of an early pictoral edition of the poem.

Doulton’s seriesware pattern the Jackdaw of Rheims is of course based on the Victorian poem by Thomas Ingoldsby of Tappington Manor, actually a pen-name of an English clergyman named Richard Harris Barham, and his verse is famous for its wit and heroic tales. Of the many Ingoldsby legends this is perhaps his most popular and so it is no surprise that Doulton chose to base a seriesware pattern upon this story.

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A page from a Doulton catalogue advertising this story ca. 1906.

The story starts with a scene at the Cardinal’s Court in Rheims, where a stately feast is taking place, thereafter the cardinal’s ring mysteriously disappears, a fearsome curse is then placed by him on the unknown thief, it’s terrible effect is seen upon the poor jackdaw and finally the jackdaw’s return to favour are vividly described for us.

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A pair of early sugar bowls.

These colourful incidents provide the inspiration for Doulton’s series and lend themselves so well to pictorial illustration as can be seen. First introduced in 1906 there are typically an array of scenes and shapes to collect.

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Three views of a large fruit bowl including the inscription around the inside edge of the bowl.

Today this seriesware pattern remains amongst the most sought after and more unusual shapes and scenes can make a considerable dent in the wallet.

Doulton described the series as a”Keramic Edition” of this famous tale and so it is, with sections of the verse used as part if the illustrations.

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Royal Doulton Flambé – the King of Egyptian commemoratives

Royal Doulton always followed the mantra of offering something for everyone and this certainly rings true when you consider the variety of wares produced over the last 100 years to commemorate Egypt’s great history.

From seriesware such as Tutenkhamen’s Treasures series, to handpainted desert scene pieces, to Flambé pieces, to figures ….. here once again there is something for everyone.

As a child I remember being fascinated by all things Egyptian – a study whilst at school, a trip to museums with grandparents…all fuelled this mania. This mania gripped the world in the early 1920’s with the discovery of this now world famous tomb and Doulton was at the front of the queue to produce commemorative pieces for this event.

One of the most striking series Doulton produced is the Flambé range of wares, featuring  pyramids, the sphinx and numerous other desert scenes. Here are a selection of pieces for you to enjoy!

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A striking 14″ vase with a variety of scenes from Cairo.

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The same vase on the left, together with two variations of Egyptian scenes to suit the shapes of their respective vases.

Dickens Doultonised

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Some early Doulton advertising booklets for Dickensware ca. 1912 – the Centenary of Dickens’ birth, together with  2 seriesware trays a calendar with a Dickens figure and an early Tony Weller

When it comes to the works of Dickens, Charles Noke, Doulton’s art director at Burslem was blatantly a fan if not obsessed by all things Dickens.

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A facsimile of a letter from Dickens’ son to Doulton & Co. expressing his pleasure at their Dickens range

From the early 20th century and throughout his time as art director and even after, Doulton have produced a wide variety of wares to commemorate Dickens’ works.

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Three of Leslie Harradine’s original models for the miniature Doulton Dickens figures

The lengthy of time these many wares were produced mean that there is something for every collector, old and new and something for every pocket size too!

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Another of Harradine’s Prototypes, this time the full size Dickens figures, together with an early Mr Pickwick HN556
Here is a glimpse at the sheer variety of wares produced by Doulton, the majority under the direction of Noke himself!

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Two sterling silver trays mounted with Dickens miniatures.

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Three sizes of character jugs (L, M & S) and a derivative ash bowl

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Three Doulton Dickens tinies including Charles Dickens himself

This is but the tip of the so-called iceberg and there are many collectors throughout the world who share Noke’s enthusiasm for all things Dickens. I have been lucky enough to see two huge collections outside the UK, but why not share any unusual finds to our facebooks page? Search for:

Doulton Collectors Club

See you there!
Christopher