Doulton’s most unusual glazes: Sung, Chang and Chinese Jade

Charles Noke continued to experiment with glazes long after the departure of Cuthbert Bailey with whom he had perfected the Flambé glaze in the early 1900’s. And so in 1920 Sung was introduced, whereby painted decoration, colour and gilt are fused with the a flambé glaze.

FLM_Sung Vase Ducks in Flight (Small)

A stunning Sung vase.

I am sure you will agree that these pieces are magnificent. However, it is in the flesh that these pieces must be enjoyed to full effect as in this slide. Vases, large and small were decorated with exotic birds, pixies in woodlands, fish in seascapes along with many other subjects.

FLM_Sung Owl with Owlet Wing HN160 (Small)

Sung owls.

 

These pieces were painted principally by Harry Nixon, Arthur Eaton and Fred Moore. Sung glazes can be found on Buddhas, as can also be seen here in this advert from the 1920’s, a handful of suitable early figures from the HN range such as A Spook, as well as animals, in particular elephants, a favourite of Charles Noke can also be found.

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Orignial Sung advert ca. 1920.

FLM_Sung Foxes Curled HN117 (Small)

Sung curled foxes.

Another magnificent addition to the Burslem range in 1920 was the Chinese Jade glaze, imitating the ancient Chinese glazes of centuries before, by using a thick white glaze streaked with green. Pieces of Chinese Jade are exceptionally rare, due to the costliness of production, together with the high proportion of rejects due to the inherent difficulties in achieving this technique.

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Chinese Jade lidded bowl with ‘Despair’ HN596 as the finial (the name of this figure is only a name given when the original figure book was published in 1978 as there is no record of its actual name).

A variation of this ware exists whereby the green streaks are replaced by blue ones, and this extraordinarily rare glaze is aptly named Lapisware.

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A very rare Lapisware lamp base.

Another glaze worthy of inclusion here is perhaps the most magnificent of all. Chang ware was introduced in 1925 and involved a thick body upon which multi-coloured thick glazes were allowed to run and crackle – contrary to all usual pottery rules.

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Original Chang catalogue cover.

The results you can see from this slide are breathtaking. Nothing like this glaze had been sen before even in ancient times, and it was greeted by worldwide acclaim. Chang pieces are usually found with the monogram for Harry Nixon on their bases together with Noke, for either Charles or Jack Noke, who succeeded his father as art director in the late 1930’s. The addition of Noke’s name signified the quality such work achieved.

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Chang ginger jar and cover.

To finish here are a selection of other glaze pieces from the early 20th Century. Enjoy!

FLM_Sung Vase Gnomes in Tree 13H (Small) FLM_Sung Vase Gourd Shape 6H (Small) FLM_Chang Tobacco Jar (Small) FLM_Chang Vase 3 Tier 11H (Small)

Doulton’s Hyperion ware

This has to be one of my favourite of all the Doulton wares, although I only have three examples in my collection. This ware had a very short production around 1900 and pieces are typically pastel pink or pastel blue and come in the usual range if shapes Doulton used in vases from this time. Although I did once have a cobalt blue example signed Walklate.

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This particular style of painting was introduced by Noke and pieces of this ware are generally painted by Fred Walklate, John Kelsall or Edward Raby – three if Doulton’s most prestigious artists of the time.

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This ware has no special mark but is so distinctive that it stands out from the crowd. The freehand floral images painted onto the pastel body were often outlined in gilt and there was often acid etching too, as in the two examples shown.

Hyperion ware is very rare today so pieces rarely appear on the secondary market.

Royal Doulton Tablewares – an art deco surprise!

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Just as Doulton’s Lambeth art studio was supported by the manufacture of drainpipes, the Burslem enterprise was in its turn supported by the sale of Doulton’s famous tablewares.

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A contemporary publicity shot for the Syren pattern.

Just as the many other pottery companies of the time, Doulton attempted to stay bang up to day whether it be imitating arts and crafts, designs, Victorian styles or geometric art deco patterns, yet, Doulton managed to climb to the top of the pile playing upon their heritage for producing quality items in modern tastes.

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A leaflet promoting Doulton’s latest designs ca. 1935.

As well as producing items for the humble households up and down the country and around the world, Doulton also supplied some of the top hotels and restaurants with exclusive tablewares including The Savoy and Claridges in London. Certain patterns were targeted at particular markets such as the Maple Leaf pattern…

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The enchanting Lizana – another one not included in Reflections!

Inspired to share this next piece by a fellow collector who cherishes her Doulton figure Lizana, here is the inspiration behind her – a contemporary cigarette advert! Not quite PC today but the effort and detail put into advertising this brand of Abdulla cigarettes is to be marvelled, especially the rhyme at the bottom!

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(C) Christopher Evans 2014

W S Penley as CHARLEY’S AUNT (second version)  Issued in 1930 H. Fenton

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The contempory theatre greatly influence Noke’s figurine range. W S Penley was popular in his role in Charley’s Aunt by Brandon Thomas, where he plays an Oxford undergraduate who impersonates an “Aunt from Brazil” who is to act as chaperone to some young ladies  he and his friends wish to entertain. Charley’s Aunt ran for 1,466 performances after opening in 1913. On various anniversaries ladies in the audience were presented with a Doulton figurine of the main character commissioned by the author Brandon Thomas. About 500 – 600 of this commissioned figure were given away, together with a range of other souvenirs of the performances like those in the advert above. Early in his career in 1916, Noel Coward played the part of Charley.

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A contemporary picture and version 2 of this unusual figure, modeled in an identical post and holding a cup of tea.

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The figure was modelled by Albert Toft (1862 – 1949 ) who taught Leslie Harradine at Camberwell School of Art at evening classes when he was completing his apprenticeship at Doulton Lambeth. Toft  himself had studied at Stoke on Trent and  later at the Royal College of Art.

Regency HN1752 finds a home in Doulton’s famous seriesware pattern Historic England!

A few years ago I spotted the tray below and instantly recognised my figure Regency as the character in the scene!

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The seriesware picture is faithfully copied from Harradine’s figure, save that the riding crop has changed hands and a feather has been added to the tricorn hat!

The story behind the seriesware pattern is that the lady is Dorothy Vernon, daughter of Sir George Vernon who owned Haddon Hall, who runs off with the son of the Earl of Rutland – a union opposed by the parents probably because of religious differences!

The series was introduced in 1938 and withdrawn by the early 1950’s.

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Once again Doulton surprises us with this link between the figure range and seriesware!

Tinkle Bell’s inspiration – another one that didn’t make the final cut…

Another picture for you all to add to your lists of pictures that inspired figures is this charming child study by  an unknown artist ‘Pieperhoff’.

As Jocelyn and I were selecting the themes we would include in our book Reflections: Doulton Figures as a Mirror of their Times, it was inevitable that we could not include everything we had found.

Typical of this time, many unknown artists’ work was used for greetings cards, in a similar vein to those published by Raphael Tuck and Valentine & Co. that we have already looked at.

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Pieperhoff’s sentimental child study that inspired Tinkle Bell HN1677 below.

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This particular illustration was clearly popular at the time (1930’s) as it can be found relatively readily and I have a miniature and a larger (30cm by 20cm) version.