Category Archives: Artists

The inspiration for Harradine’s figures In The Stocks and Tildy!

As you’ll be aware a particular interest of mine is tracking down the inspiration of figures, particularly early ones and more particularly those of Leslie Harradine, Royal Doulton’s genius sculptor.

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Above you can see Tildy HN1576 together with her inspiration drawn by Jennie Harbour who provided many such ladies for Harradine; whether she was aware of this is unknown. (The Doulton lady is taken from the lady on the left.) Yet, Doulton did have some agreement with Raphael Tuck the publisher of these Jennie Harbour pictures, although correspondence between the two firms that exists only refers to pictures by Stanislaus Longley and Molly Benetar.

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Here you can also see Harradine’s In the Stocks HN1474 who would be adapted to become Tildy.

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And here is HN1475 the other colourway of In the Stocks. Both versions of this lady taken from the Harbour picture are very rare today and so both had limited production, even more limited than is suggested in the figure book. In the Stocks was introduced in 1931 and Tildy in 1933, suggesting the former had been deleted by then. Tildy it is recorded, was withdrawn in 1939, but by 1939 would be a more accurate description as I have never seen a later 1930’s dated example. Perhaps someone out there has?

Collecting Doulton bibelots.

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The selection of bibelots or ashtrays as they were commonly known, that were produced at Lambeth, are today some of the most collected items of Lambethware.

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Naturally their popularity and price depends on their ‘artistic’ value for there were countless such objects produced at Lambeth; some very plain examples, others for events, others for commercial advertising for numerous firms and still others designed by some of Lambeth’s most popular artists including Leslie Harradine, Vera Huggins, Harry Simmeon and no doubt others too that are unrecorded.

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They date from the 1920’s to 1930’s but it is fair to say that some were made for a longer period and no doubt introduced earlier such as the Wrights Coal Tar Soap dragonfly dish.

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The term bibelot is a derivative from the French, meaning a trinket or small fanciful object. One only needs to look at the subjects of these fanciful trays to see that this name suits these imps, nymphs, comic birds and other creatures very well.

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Whatever your budget you can find examples of these trinket dishes to suit! For me this fanciful line of Lambethware displays perfectly alongside the many vases created by Doulton’s greats!

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Doulton’s Frank Butler – a versatile artist.

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A chance find of this impressive pair of vases by Frank Butler reminded me of what a great talent he was. Never more so than when one considers that he was reported to be practically deaf and almost dumb.

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Yet, over an almost 40 year period, his output of stoneware certainly changed reflecting a versatile, confident ability.
His particular flair for me is his art nouveau work, in particular his vases where the clay appears ‘pushed out’ as in the example below.

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Whatever our individual tastes, it is impossible to reject this great talent!

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An unusual Peggy Davies figure.

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I thought I’d share this little study of a boy by Peggy Davies. It is marked simply ‘Clay Craft’ to the base, a company she ran in the 1940’s-50’s I believe. Interestingly there was a Doulton version of the same figure so I imagine either he was presented to Doulton in the red colourway and prototypes were made or else rejected by Doulton and Peggy used the design herself.

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The Doulton version and a young girl too, both sold at Louis Taylor in 2005.

An interesting piece anyway and it goes to show you never know what is waiting around the corner!

A closer look at Leslie Harradine’s figure Jacqueline.

Here are three versions of the hard to find figure Jacqueline. Designed by the great Leslie Harradine, Jacqueline was available as HN2000 and HN2001 between 1947-1951.

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The red is a new find, a colourway, with ‘HA3’ to it’s base telling us that it was painted by Harry Allen and this is colourway 3. Presumably 1 and 2 were the two colourways produced in pink and blue pictured either side of her.
Jacqueline is model 1234 telling us that whilst she was introduced in 1947, she would have been modelled in ca.1942. I have versions of models 1230 (Christmas Morn) and 1231 (a prototype similar to Easter Day) dated 1942, so we can date the model quite closely.

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The part of collecting that I find most interesting is often the story behind the piece. Although I have not found a pictorial inspiration for Jacqueline there is still plenty to be researched as you can hopefully see above.

The ‘metamorphosis’ of Leslie Harradine’s The Proposal!

Not exactly a total re-incarnation but as we know from a look at similar figures a while ago, several of Harradine’s early figures were later adapted and re-introduced into the HN range.

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The Proposal HN715 from 1925.

Just like figures including The Windmills Lady who became The Lavender Seller or Sweet Maid who transformed into Millicent, so too did The Proposal HN715 who became this fantastic figurine, Teresa HN1682 and HN1683 in 1935.

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Teresa in both colourways.

The addition of a table and some props creates a really different lady!

Perhaps you have noticed other such transformations? Why not share them in our Facebook group ‘Doulton Collectors Club’!

Peggy Davies’ early hand modelled figures.

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During Peggy’s earliest years with Doulton she produced a handful of hand modelled figures, in 18th Century dress.
The group above, I have seen three other times with subtle variations such as the items on the ground including a monkey or a bird cage. The figures too can have slight variations to their dress including longer sleeves on the gent or differences to his collar.
In the WMODA in Miami you can see two other figures hand modelled by Peggy, again girls in 18th Century dress.
All in all these pieces are of huge importance in the history of Doulton figures and also the story of Peggy Davies.
The three other versions were all sold through Phillips/Bonhams as part of the Doulton Reserve sales.
Here is one such example, with uniquely, elaborate decoration!

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(Courtesy of Bonhams)

The WMODA exhibition ‘A flair for fashion’.

I’ve just had some extra pictures of the current exhibition at the WMODA housed at the Gallery of Amazing Things that I thought would interest us all!
The sheer breadth of exhibits is to be marvelled but for me it is the massive array of Doulton wares that interests me most!
Here are a few pictures of the figures currently on display as part of the Flair for Fashion exhibition! Enjoy!!

For further information visit –

http://galleryamazing.com
and

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Royal Doulton’s ‘new style’ figures (from1936).

At the British Industries Fair of 1936, Doulton’s exhibit dew favourable reviews from all corners. New lines in tablewares and shapes, new animal studies including a new tiger and also a selection of new figures were introduced to the public.

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Among these new figures was The Coming of Spring, which was singled out for praise. Indeed this new figure was described as evidence of further development in connection with the range of ‘Royal Doulton Figures’. Moreover it was felt that this large model by Leslie Harradine captured the modern spirit, without conveying ‘the idea of a continental flavour’ and it was heralded as one of the smartest conceptions in figures that has ever emanated from the Doulton factory!

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Examples of this large figure are rare today, no doubt due to the costs involved in her production as she would surely be part of what we call the Prestige Range today.
A simplified ‘sister’ figure is Celia, also by Harradine.

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