Tag Archives: Doulton Figures

Reflections – London Cries

In our book Reflections – Doulton figures as a reflection of their times, Jocelyn and I cover many inspirations behind some of the most famous of Doulton’s figures in the HN collection. Unfortunately space wasn’t on our side, so I can reveal here some of the illustrations we couldn’t include back then!

Here is one of Wheatley’s London Cries pictures together with its Doulton counterpart!

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Doulton artist profile – Arthur Perrins

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Arthur at work in 1953

Arthur Perrins had a typically long association with Doulton & Co for his genreration; he began in the early 1940’s remaining with them until finally retiring in 1993. He was used to advertise Royal Doulton’s artistry over decades at some of the most prestigious stores in England including at the Doulton store at Harrods in London. Here are some pictures of Arthur at work, including a figure painting demonstration at Harrods in the early 1950’s. He is survived by his widow.

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Arthur explaining the process involved in painting a Top o’ the hill ca. 1954

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A Harrods display with Arthur demonstrating figure painting, again on a Top o’ the hill

Here is a link to some further pictures of Arthur at work on John Twigg’s excellent site about Doulton artists:

http://www.royaldoultonartists.com/Arthur%20Perrins.htm

 

100 Years of Doulton figures

Check out this link for a look at the first chapter in the 100 years of Doulton figures by me and published by Seaway China.

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Here is the first page of the HN figure decoration book

http://seawaychina.net/pdfs/catalog/spring2013/1-11_cover-doulton-insight.pdf

 

Here is a sample:

Few people in 1913 would have imagined that this article would be being written to celebrate the 100th anniversary of Royal Doulton’s HN Collection. It was not after all Doulton’s first attempt at a introducing a figure range and many other famous factories had attempted and failed at this ambition. In 1893 at the World Columbian Exhibition in Chicago, a handful of figurative models by one of Doulton’s newest recruits Charles J. Noke were among their exhibits. These minimally decorated figures, now commonly referred to as Vellum Figures, met with a mixed reception from the buying public and Noke’s ambition of reviving the once famous, Staffordshire figure production was put on hold as his attention was drawn away by other projects including the introduction of Kingsware, Rembrandtware, Holbeinware, Hyperionware, the famous flambé glazes and the introduction of Doulton’s Series Ware with patterns such as the popular Dickens series. The range of Vellum Figures was very much influenced by the products of the Worcester factory where Noke had worked for some sixteen years until leaving to join Doulton in Burslem in his early 30’s. He would later comment that he joined Doulton ‘not for the money but for the freedom’ as Henry Doulton famously allowed his artists free rein.

A timely visit to the Doulton Burslem factory in April 1913 by England’s then King George V and Queen Mary provided a re-newed impetus to Noke’s desire to launch a new range of figures. In the years preceding this visit Noke had been approaching a carefully selected group of artists to provide models for Royal Doulton to reproduce in ceramic. It is reported that the new range of figures was completed in late 1912 but the launch of the range was held back to coincide with the Royal visit, and what a good decision this proved to be as Queen Mary would become a fan of the range making many purchases over the coming decades. In Royal Doulton’s brochures from the 1920’s and 1930’s they even pin pointed the figures Her Majesty had purchased – it undoubtedly proved very useful to have the most famous lady in the land favouring their figures.

 

Leslie Harradine Part 2 – A change of allegiance

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A rare photograph of Leslie Harradine

The next chapter of Harradine’s association with Doulton begins in 1919. Noke, Art Director at Doulton’s Burslem factory recognised Harradine’s talent for figure making and attempted to recruit him. Noke had been particularly impressed by the set of six Dickens figures Harradine had modelled for Lambeth.

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One of Harradine’s six Dickens figures made for Lambeth – Mr Micawber

However, not under any circumstances would Harradine consider working at Burslem, but via Lambeth’s Art Director Joseph Mott’s intervention, a meeting between Noke and Harradine was arranged whereby Noke travelled to London to meet with Harradine. The result of this meeting was of course that arrangement that has become legend amongst Doulton figure collectors. Thus Noke and Harradine came to an arrangement, whereby Harradine would send a succession of models to Burslem for Noke’s approval and a change of allegiance to Doulton’s of Burslem. This was an arrangement that lasted almost 40 years and would continue when Noke’s son succeeded him as Art Director in 1936 at Burslem. Harradine modelled in his preferred medium – salt glaze stoneware and sent one or two models per month wrapped in brown paper, and whose arrival would cause something of a stir when they arrived in Burslem.

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Here are two of Harradine’s original models for Burslem figures, both of Mr Micawber (first and second versions)

His models would deliver the popular success that the HN range had hitherto not achieved, representing fashions and interests from their own era. Harradine modelled women, men and children with equal skill. His figures entered the HN range in 1920 with The Princess HN391 until 1956, when his last ‘new’ model was introduced, Dimity HN2169, although many of his studies remained in production decades after this.

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The very stylish Clothilde in two colourways

At last Noke had found a modeller who could tap into the so-called ‘moment’ whatever it was, whether it is flapper girls, Victorian ladies, children or group studies. All were executed with precision and subtle style. Harradine remained something of a nomad yet he continued sending in models from addresses in England, the Channel Islands and Spain until the end of this great partnership.

In our final part to the Harradine story, we will look at Leslie Harradine, the family man.

Princess Elizabeth visiting Royal Doulton in 1949 – another video clip

I thought you might all like to see this extra montage of the Queen’s visit to Royal Doulton at Burslem in 1949, when still Princess Elizabeth. Of particular interest is some Seriesware inspired by Brangwyn ware and also the decorating of figures from this period and a comprehensive display of them! Well worth a look!

http://www.britishpathe.com/video/princess-elizabeth-visits-the-potteries/query/Doulton