Category Archives: Art deco

Doulton ladies’ sleek 1930’s style! 

  If the 1920’s were typified by ‘Putting on the ritz’ then the 1930’s were about sleek lines and glamour. 

Typically, Doulton once again responded to the fashion of the times with a handful of designs inspired straight out of early 1930’s fashion magazines. Indeed we know that Mrs Harradine was a fan of a magazine called Britannia & Eve, as her husband based his figure Pamela on a cover girl from 1930. 

Even the names chosen for this select band of ladies represent their time, with stylish names such as Clothilde, Aileen and Gloria. 

Once again Doulton figures can be truly said to have represented their times, just as they had in the 1920’s with perennial favourites such as Pierette and Butterfly in their party costumes and as they would at the end of the 1930’s with Hollywood inspired glamour including The Mirror and Nadine. 

Doulton’s famous desert scenes by Harry Allen. 

The name Harry Allen will be familiar to many Doulton collectors because of his association with so many of Doulton’s most famous lines from Flambe, Sung, Titanian, figures and of course to the fantastic hand painted items by this great Doulton artist. 

  
The son of Robert Allen who himself led an art studio at Doulton in Burslem, Harry proved himself a versatile artist but he will be forever associated with his enchanting desert scene images carefully painted onto all manner of items from jugs to plates and everything in between!

  
Whilst not readily available today, with perseverance it is possible to build a collection of his romantic desert scene work. You will find that Harry signed his work either in full or as H. Allen or else as H. A. 

  
The desert scene items I have come across can be dated to c. 1905, with the yellow desert background being the most usual. 

  

Royal Doulton’s ‘well fires’.

  These charming small size fonts are often mistaken for just that – a mini church font but they are in fact so called fire wells.  It is hard to imagine their actual function in that the two illustrated measure a diminutive 8cm tall and the full size versions I have seen around 20cm.

They have been previously described as examples of Doulton advertising for themselves, but the Well Fire and Foundry Co was a company of yesteryear as you can see from this advert found on the Internet. These items for the company date to the 1920’s and 1930’s.

 
The darker of the two examples pictured above is an advertising piece for the Well Fire and Foundry Company Ltd and the base details options available. 

 
The light green version in a matt glaze bears no indication of its use but simply the usual Doulton impressed mark, suggesting Doulton sold them too as fancies, or ashtrays, or indeed mini well fires!  

Doulton’s nesting owls and owlets! 

Animals have always been a popular giftware line for Doulton’s with many animal models even pre-dating the first introductions to their famous HN figure range in 1913.


A Titanian vase featuring an owl – always a popular subject!

One particular animal that always has collectors clamouring for it is the owl – produced in many variations from character examples, to realistic interpretations!


A very unusual version of Granny Owl.

Even before the early HN animals, owls featured in many Doulton Lambeth works of art! The great Leslie Harradine modelled this vase for reproduction; ‘night and day’ shown here with the owl central to the night panel!


There are further examples by the likes of Simmeon and Pope of garden statuary…


…and of course this charming Bibelot…


…to this tooth pick holder…


….and even this wonderful biscuit or tobacco jar in the form of an owl!

Returning to the Burselm studio, owls featured frequently in Doulton’s hand painted wares and in particular their Titanian range such as this example…


…and there is also a charming seriesware pattern featuring owls to collect – although examples are hard to find!


Doulton’s owl studies from the Burselm studio can be found in unusual glazes from Flambé to Sung, although once again these are hard to come by today!


Rare flambé Owl and Owlet.

Perhaps my favourite example is this character owl ‘Granny Owl’ HN 187, wrapped up in her shawl and who perhaps explains their popularity as it embodies that romantic feel Doulton owls have and why collectors fight to own these delightful studies!

A look back at Royal Doulton’s Bathers Collection. 

Never have a group of figures so captured collectors’ imaginations and for so long, as Leslie Harradine’s wonderful creations from the 1920’s and 1930’s! 

  
The Bather HN 687 (1924-1943).

Moreover this statement applies more than any to his deco ladies – be they nude, bathers or otherwise lounging in what we today think of as an art deco style. 

  
Lido Lady HN 1220 (1927-1936).

In 2000 Royal Doulton asked Nada Pedley to re-model four of Harradine’s classic deco ladies – the Bather, the Swimmer, Sunshine Girl and Lido Lady. Each was issued in a Limited edition of 2000 pieces and came with a Certificate of Authenticity. 

  
Sunshine Girl HN 4245.

Whilst each of the original figures was available in a selection of colourways the ones chosen for the new series were deemed to be the most classic colourways that collectors today would most appreciate owning. 

  
The Swimmer HN 1270 (1928-by 1938).

Indeed unless one has exceedingly deep pockets, many of these original studies are beyond the reach of most collectors – myself included! 

  
The Swimmer HN 4246.

Nada’s faithful interpretation of these early figures means that they stand alongside the originals without standing out too much. Naturally the methods of decoration over the years changed; such as the number of firings figures originally received to achieve their depth of colouring,  also the techniques and styles of face painting and of course the number of parts that make up each model giving them the refinement we associate with early figures. 

  
Regardless of their relative modernity these new figures are true modern day collectibles in their own right – and when you consider the total scarcity of Sunshine Girl for example one can understand their appeal! 

Royal Doulton’s ‘Arabian Nights’ seriesware design.

  We have looked at several patterns of late, but this is one of a large group inspired by literature.

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Introduced in 1909 there are some 13 designs to collect with a trio of borders to them; the most usual being the ivy border and the rarest the ‘Japanese’ border that I have only had once on a rack plate.

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The designs featured are of course based on the many stories contained in The Thousand and One Nights or as we know it the Arabian Nights. 

  
  
Ali Baba is a particularly common theme among the designs produced, as well as several more general titles including ‘Preparing for the Feast’.

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This colourful series makes an impressive display and also a successful backdrop for many of Doulton’s Arabian figures such as The Cobbler or Abdullah.

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Doulton figures – made to order! 

You read it correctly! Once there was a time when you could order your favourite model in a colourway of your choice – to suit your interior colour scheme or else in the same palette as another figure you cherished.


Victorian Lady HN 1529 and two complimentary colourways of Sweet Anne and Miss Demure.

Such was the case with the Sweet Anne and Miss Demure pictured who are painted in the same style as Victorian Lady HN 1529, and both of which also carry that same HN number to their bases!  The bases of the two complimentary figurines. 

Both models as you can see were not only painted in the same year but also by the same artist so you can imagine my surprise when I recently came across the version of Miss Demure and more so when I realised the identical artist and date code! Interestingly the actual models were both produced in early 1937 too (one in January and the other February)! So they must have been part of the same order. Once more Doulton proves you never do know what to expect!

Collecting Doulton’s identical miniature figures! 

Doulton’s early range of miniature figures or M series as it is known offers collectors an additional element to their collection – for if you have the large figure, why not hunt down the miniature as well, or alternatively if space is at a premium, collect just the miniature!  

 Chloe HN 1765 and M 10.

The most popular figures from the HN collection can be found in a miniature size although as always some are much harder to trace and thus carry a premium; thus a miniature Pierette will always outshine a Victorian Lady for example. 

  
Victorian Ladies HN 728 & 1345 with M 25 & M 2.

However, the pleasure of collecting often means that we concentrate on a particular theme – this one being identical colourways to the ‘grown up’ versions of figures. 

  
Veronica HN 1517 and M 64.

Many we can predict having been produced such as Victorian Lady, Veronica or even Chloe. All of whom were produced in a rainbow of  M series colourways too that had no corresponding large size partner. 

  
Little Bridesmaid HN 1434 and M 30.

The M range began in 1932 although there are several miniature designs pre-dating this date and which were typically given an HN number, yet, four models bear no HN at all (Pierette, Chelsea Pensioner, Spook and Robert Burns). 

  
Patricia HN 1431 and M 28.

As you would expect there are many versions of M figures that do not have corresponding large size partners and these too make a distinct display when shown all together! 

  
Rosamund HN 1497 and M 33.

The M series of miniature lady and child figures ceased around the end of the Second World War, but realistically would have stopped long before that date, save for a handful of the most popular models such as Paisley Shawl M4 that continued briefly after the war. The M series continued in spirit although the M number was omitted with the small size Dickens figures that were made up to the 1980’s. 

Doulton’s teatime favourites! 

If drainpipes were the mainstay and indeed supporter of Doulton’s famous stoneware art wares at Lambeth, then it was their table and teawares that supported the many art ware productions of their Burslem factory, and without whose success we may not have the many collectible wares so cherished around the globe today.

  
A favourite art nouveau trio.

With such a rich history in tableware and teaware production there is a veritable wealth of patterns, shapes and periods to collect from early Spanishware, to Kingsware, seriesware, Bunnykins as well as period styles from the high Edwardian period to the popular deco styles of the 1920’s and 1930’s – once again Doulton more than provided for their clamouring public! 

  
A 1905 catalogue page showing popular blue and white designs.

A visit to any antiques market or fair today illustrates how this once unfashionable area is once again ‘de rigeur’ with trios in particular to be found on most ceramics stalls at such fairs. Indeed the increasing popularity of cookery shows on TV including the ever popular ‘Bake Off’ has helped drive up the popularity of tea parties once more.  

  
Illustration from a 1930’s tableware brochure titled ‘Grace before meat’.

This modern popularity has left the starchiness of high tea behind and what we have today is an eclectic mix of the old and new to suit the 21st C, which is once again making us dig out grannies favourite tea sets and adding new items to our tea tables! 

  
A selection of Doulton trios illustrating shape, period, target market place and varying Doulton lines including Bunnykins and Kingsware. 

Tea time with Royal Doulton! 

If drainpipes were the mainstay and indeed supporter of Doulton’s famous stoneware art wares at Lambeth, then it was their table and teawares that supported the many art ware productions of their Burslem factory, and without whose success we may not have the many collectible wares so cherished around the globe today.

  
A favourite art nouveau trio.

With such a rich history in tableware and teaware production there is a veritable wealth of patterns, shapes and periods to collect from early Spanishware, to Kingsware, seriesware, Bunnykins as well as period styles from the high Edwardian period to the popular deco styles of the 1920’s and 1930’s – once again Doulton more than provided for their clamouring public! 

  
A 1905 catalogue page showing popular blue and white designs.

A visit to any antiques market or fair today illustrates how this once unfashionable area is once again ‘de rigeur’ with trios in particular to be found on most ceramics stalls at such fairs. Indeed the increasing popularity of cookery shows on TV including the ever popular ‘Bake Off’ has helped drive up the popularity of tea parties once more.  

  
Illustration from a 1930’s tableware brochure titled ‘Grace before meat’.

This modern popularity has left the starchiness of high tea behind and what we have today is an eclectic mix of the old and new to suit the 21st C, which is once again making us dig out grannies favourite tea sets and adding new items to our tea tables! 

  
A selection of Doulton trios illustrating shape, period, target market place and varying Doulton lines including Bunnykins and Kingsware.